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Showing 1 to 4 of 4 for “"Sara Teasdale"”.

  1. Metacognitive poetics: Modernist reflections on the performance of thinking

    … three focuses on the ways in which female poets Sara Teasdale and Mina Loy dramatize human cognition as an embodied experience and, consequently, help subvert the oppressive legacy of Cartesian dualism. Chapter four returns to Stevens, and pairs his work with T.S. Eliot, to examine the way …

    uiuc Repository record for Metacognitive poetics: Modernist reflections on the performance of thinking (opens in a new tab)

  2. Lines of Feeling: Modernist Women's Poetry and the Limits of Sentimentality

    … study, figures such as Edna St. Vincent Millay, Sara Teasdale, Genevieve Taggard, and Louise Bogan, have been categorized as conventional lyric poets. Critics have believed, wrongly, that their poetry is coextensive with the aesthetic and political aims of nineteenth-century sentimentality. …

    uiuc Repository record for Lines of Feeling: Modernist Women's Poetry and the Limits of Sentimentality (opens in a new tab)

  3. Jungiaanse argetipes in die poësie van Ingrid Jonker, Sylvia Plath en Anne Sexton

    … (as well as that of Eugène N. Marais and Sara Teasdale). Later more poets enter the discussion, such as Attila József, Cesare Pavese and Marina Tsvetaeva. The therapeutic value of writing poetry is investigated as well as the possibility of plagiarism, Antjie Krog's Die sterre sê 'tsau' …

    cape-town Repository record for Jungiaanse argetipes in die poësie van Ingrid Jonker, Sylvia Plath en Anne Sexton (opens in a new tab)

  4. Text and structure in Schoenberg's Op. 50, and an original composition, symphony #1

    … The text for this movement is drawn from a Sara Teasdale poem "A Seagull in the City." The primary musical material for all four movements is drawn from two motivic sets (m2+m3) and (M2+m3). A non-literal or hidden program is used to generate elements of the overall form. Musical ideas drawn …

    lsu-thes Repository record for Text and structure in Schoenberg's Op. 50, and an original composition, symphony #1 (opens in a new tab)