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Showing 1 to 20 of 30 for “"Samuel Taylor Coleridge."”.
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The Sound Imagery Of Samuel Taylor Coleridge
113 Leaves
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The Poetry of Samuel Taylor Coleridge: An Annotated Bibliography of Criticism, 1935-70
Made available in DSpace on 2014-12-12T21:09:45Z (GMT). No. of bitstreams: 1 7804087.pdf: 12789586 bytes, checksum: fc3ca50b45822e24168e0499dc4129f3 (MD5) Previous issue date: 1977
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The supernatural as rhetorical focus in the three major poems of Samuel Taylor Coleridge
Samuel Taylor Coleridge's "The Rime of the Ancient Mariner," "Kubla Khan," and "Christabel" demonstrate his serious and imaginative use of the hackneyed motifs of the supernatural. The eerie, the exotic, the nocturnal, and the medieval dominate the setting of these poems; superstitions, spells, and …
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Genius, heredity, and family dynamics. Samuel Taylor Coleridge and his children : a literary biography.
The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been …
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‘The balance or reconciliation of opposite or discordant qualities‘: political tensions and religious transitions in the works of Samuel Taylor Coleridge
… religious and political views of the young Coleridge, and their expression through his published works from 1794-1800. I consider how Coleridge‘s continuing use of religious imagery evolved, following his transition from the established tradition of Dissenting religion, towards a more …
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A critical index to the letters of Samuel Taylor Coleridge from 1820 to 1834 : on the subjects of "philosophy and religion" and "literature" : a presentation of his later thought.
The collected letters of Samuel Taylor Coleridge are published in six volumes and edited by Earl Leslie Griggs. Volumes II, IV, and VI contain indexes for the letters which include primarily the names of people and publications mentioned throughout the correspondence. This Critical Index is a …
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Self-Referential Anxiety in the Romantic and Modern Long Poem
… be seen in long poems by such diverse poets as Samuel Taylor Coleridge, Robert Browning, Ezra Pound, T. S. Eliot, Elizabeth Bishop, and John Berryman. In works by each of these poets, the author's insecurities about the poem's form and subject matter and about the appropriate role of the poet …
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The fiends that plague thee thus: An examination of gender and the role it plays in Coleridge’s <i>Rime of the Ancient Mariner</i>
<p>Samuel Taylor Coleridge was, and remains today, one of the most important literary figures in history, and his poem <i>The Rime of the Ancient Mariner </i>continues to be one of the most widely read pieces of literature in schools across the world. When it was first published, the poem was ahead …
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Dangers of Credulity: Mary Robinson and the Trope of Victimization
A prodigious professional poet admired by Samuel Taylor Coleridge; a courtesan idealized for her unparalleled beauty; a famed actress and mistress to royalty known to live beyond her means in an era of exploding print culture: Mary Robinson found herself portrayed incongruously in motley of …
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Romantic Ideals in Contemporary Folk Music
… and philosophy. The works and philosophy of Samuel Taylor Coleridge (1772-1834), William Wordsworth (1770-1850), John Keats (1795-1821), as well as Henry David Thoreau (1817-1862), Ralph Waldo Emerson (1803-1882), among others and their critics are all considered for points of comparison to …
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Poe as a critic.
… The greatest single influence on Poe was Samuel Taylor Coleridge. Poe also reflects the manner and method of Blackwood’s Magazine. He follows the romantic tendencies of the period. Poe’s critiques deal chiefly with the works of such contemporary authors as Longfellow, Hawthorne, Dickens, …
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Italian Unity as Leitmotiv in British Literature, 1820-1865
… the published works of Lord Byron (1788-1824), Samuel Taylor Coleridge (1772-1834), Giuseppe Mazzini (1805-1872), W.E. Gladstone (1809-1898), and George Elliot (born Mary Ann Evans 1819-1889).</p>
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"Our skins sing in complementary keys": Literary Crip Kinship with Samuel Taylor Coleridge's Geraldine, Fanny Burney, and Audre Lorde
… Audre Lorde, Fanny Burney, and, surprisingly, Samuel Taylor Coleridge’s Geraldine. These literary figures, and my own experience, have raised many of the same questions in my mind—of betrayal, of a sense of foreboding evil. How do my own experiences with breast biopsies, mammograms, and MRIs …
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Disability Identity in Samuel Taylor Coleridge's Letters
… on letters written by British Romantic author Samuel Taylor Coleridge, who wrote about his chronic illness during the period of emerging modern ideas of disability. Coleridge’s letters are valuable to readers in the twenty-first century because they enable us to track the formation and …
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Arnold and Pater on Wordsworth
… the subjective criticism of the Romantic critic, Samuel Taylor Coleridge. Arnold, instead, continues some of the theories of Goethe’s period of classicism, during which objective form and values were sought, when he looks to antiquity as a model and when he seeks "disinterestedness." Arnold …
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The poets’ daughters: Dora Wordsworth and Sara Coleridge
Dora Wordsworth and Sara Coleridge were lifelong friends. They were also the daughters of best friends: William Wordsworth and Samuel Taylor Coleridge, the two poetic geniuses who shaped the Romantic Age. Living in the shadow of their fathers’ extraordinary fame brought Sara and Dora great …
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Transcendental Exchange: Alchemical Discourse in Romantic Philosophy and Literature
… to the Romantic ideal of a poet-prophet. Samuel Taylor Coleridge and Nathaniel Hawthorne further developed their own models of the creative process by incorporating alchemy as an image of the transformation from vision into art. I examine Coleridge's "Kubla Khan" and Hawthorne's "The …
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Beauty in Coleridge
… upon the significance of beauty in the oeuvre of Samuel Taylor Coleridge. My central thesis is that Coleridgean beauty is a ‘transcendental’. That is to say, beauty is a property of being as such. My entire argument seeks to defend this claim, to unfold its meaning, and to trace out its …
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