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Showing 1 to 20 of 145 for “"Samson"”.

  1. The voice of Samson: an exploration of the vocal writing in Gilbert Duprez’s opera Samson

    … the vocal writing and performance practice of Samson, a Grand Opera by Gilbert Duprez. This document contains a performing edition of selected recitatives and arias from the incomplete score from 1837. The edition includes the orchestral accompaniment, French text, an original English …

    alabama Repository record for The voice of Samson: an exploration of the vocal writing in Gilbert Duprez’s opera Samson (opens in a new tab)

  2. 'Samson Agonistes' and the Theme of Consolation

    Made available in DSpace on 2014-12-08T22:39:02Z (GMT). No. of bitstreams: 1 6808210.pdf: 18928366 bytes, checksum: c1a0cedd420fcbf275eafd663379f71f (MD5) Previous issue date: 1967

    uiuc Repository record for 'Samson Agonistes' and the Theme of Consolation (opens in a new tab)

  3. Saint-Saens' "Other": Orientalism in Samson et Dalila

    … This study continues to look at Saint-Saens' Samson et Dalila through the eyes of Locke and further examines the composer's use of Middle Eastern compositional techniques, including instrumentation, use of Arab modes, and use of threatening melodies and rhythms. These techniques are examined …

    duquesne Repository record for Saint-Saens' "Other": Orientalism in Samson et Dalila (opens in a new tab)

  4. The Value of Classical Allusions in Six of Milton’s Minor Poems (L’Allegro, Il Penseroso, Cornus, Lycldas, Samson Agonistes, and Arcades)

    Classical allusions form so integral a part of Milton's poetry that one can scarcely conceive of the poems without them. Deprived of these allusions, the poetry would lose a large part of its charm; certainly it would lose its most characteristic feature. In many instances the classical allusions …

    creighton Repository record for The Value of Classical Allusions in Six of Milton’s Minor Poems (L’Allegro, Il Penseroso, Cornus, Lycldas, Samson Agonistes, and Arcades) (opens in a new tab)

  5. Dear Son of Memory: Milton's Engagement with Shakespeare

    … and <em>Antony and Cleopatra</em> in <em>Samson Agonistes</em> to problematize Samson’s heroic actions. Samson’s Chorus recollects the dragon imagery associated with Coriolanus, and the Chorus (and Samson himself) invoke the stately ship imagery associated with Cleopatra. Samson also …

    cuny-grad Repository record for Dear Son of Memory: Milton's Engagement with Shakespeare (opens in a new tab)

  6. Master's thesis recital (voice)

    Let the bright seraphim : from Samson : HWV 57 / George Frederic Handel -- Fêtes galantes 1. recueil : L. 80 / Claude Debussy -- Mädchenblumen : op. 22 / Richard Strauss -- Six Elizabethan songs / Dominick Argento -- Quel fuardo il cavaliere : from Don Pasquale / Gaetano Donizetti.

    texas Repository record for Master's thesis recital (voice) (opens in a new tab)

  7. Intensive management of barley in Saskatchewan

    … ha-1). Varieties used in ICM tests were Bonanza, Samson, Leduc, Virden, Johnston and Heartland. The second experiment, comprised of nine tests, compared two PGRs (ethephon and ethephon + CCC) at two rates and two stages of application (ZGS 31-33 and ZGS 48-51). Varieties in the PGR experiment were …

    sask Repository record for Intensive management of barley in Saskatchewan (opens in a new tab)

  8. The mezzo-soprano onstage and offstage: a cultural history of the voice-type, singers and roles in the French Third Republic (1870–1918)

    … such as Bizet’s Carmen (1875), Saint-Saëns’ Samson et Dalila (1877), and Massenet’s Werther (1892) were enshrined in the operatic repertoire. Focusing primarily on five mezzo-sopranos — Célestine Galli-Marié (1840–1905), Blanche Deschamps-Jehin (1857–1923), Meyriane Héglon (1868–1942), Marie …

    maynooth Repository record for The mezzo-soprano onstage and offstage: a cultural history of the voice-type, singers and roles in the French Third Republic (1870–1918) (opens in a new tab)

  9. Suffering and the early modern imagination, 1570-1671

    … titular protagonist of his closet drama, Samson Agonistes, in 1671.<i><br/></i>

    qu-belfast Repository record for Suffering and the early modern imagination, 1570-1671 (opens in a new tab)

  10. The Theme of Free Will in Milton's Major Poems

    … conclusion to the story of the fall. In Samson Agonistes. we are spectators to the drama of Samsons temp­tation and his regeneration through free will. The moral of Comus rests on the theory that the freedom of the will is invulnerable.</p> <p>The same element which makes up an important …

    dominican Repository record for The Theme of Free Will in Milton's Major Poems (opens in a new tab)

  11. "He that sitteth in the heavens shall laugh" : mockery and typology in Milton's poetry.

    … significance of the exchange of mockery between Samson and Harapha in Samson Agonistes, illuminating the regenerationist-revisionist controversy over the tragedy. Ultimately, the project shows that revisiting Milton's poetry with attention to mockery helps us reconsider critical issues in each …

    baylor Repository record for "He that sitteth in the heavens shall laugh" : mockery and typology in Milton's poetry. (opens in a new tab)

  12. Red ink: Native Americans picking up the pen in the colonial period

    … writing tend to begin with the Mohegan preacher Samson Occom whose A Sermon Preached by Samson Occom (1772) is the first known publication by a Native author on the North American continent. This work, however, locates Occom near the end of a series of earlier Native contacts with the written …

    unh-thes Repository record for Red ink: Native Americans picking up the pen in the colonial period (opens in a new tab)

  13. (De)Constructing Paradigms of Genre: Aesthetics, Identity and Form in Franz Schubert’s Four-Hand Fantasias

    … genre. The revisionist work done on genre by Jim Samson and Jeffrey Kallberg has argued that understanding a generic group by mere classification ignores and dismisses the communicative aesthetic of genre; they also accentuate that early nineteenth-century genres are, by nature, flexible and not …

    maynooth Repository record for (De)Constructing Paradigms of Genre: Aesthetics, Identity and Form in Franz Schubert’s Four-Hand Fantasias (opens in a new tab)

  14. Etablierung und Anwendung von Hochdurchsatz-Verfahren zur Identifizierung strahleninduzierbarer Gene in der Hefe

    … eine publizierte Arbeit vor (Jelinsky and Samson, 1999), mit der die hier erzielten Ergebnisse verglichen werden konnten. Fünf der zehn am stärksten induzierten Gene wurden bereits von Jelinsky und Samson als stark induzierbar (Faktor >10) beschrieben. Die Diskrepanz bei den fünf restlichen …

    lmu-germany Repository record for Etablierung und Anwendung von Hochdurchsatz-Verfahren zur Identifizierung strahleninduzierbarer Gene in der Hefe (opens in a new tab)

  15. AN EXAMINATION OF BLACK MALES’ ATTITUDES AND BELIEFS ABOUT HAZING WITHIN A BLACK GREEK LETTER ORGANIZATION

    … males who have participated in these activities (Samson, 2021; Schiffer et al., 2022). To address this gap, a quantitative survey research design was employed to investigate the attitudes and beliefs among Black males at both a selected historically Black colleges and universities and a …

    temple Repository record for AN EXAMINATION OF BLACK MALES’ ATTITUDES AND BELIEFS ABOUT HAZING WITHIN A BLACK GREEK LETTER ORGANIZATION (opens in a new tab)

  16. Milton's Emerging View of Fame and the Heroic Life

    … writing of Paradise Lost, Paradise Regained, and Samson Agonistes, Milton clearly defines fame in Christian terms. His method is generally parodic; he throws into relief true fame by parodying its false varieties. Thus he makes a clear distinction between earthly fame and heavenly fame. Chapter 1 …

    drake Repository record for Milton's Emerging View of Fame and the Heroic Life (opens in a new tab)

  17. Discours d'enseignants de sciences et technologies et de mathématiques du secondaire sur leur compréhension et leurs pratiques de l'interdisciplinarité

    … et organisationnelle (Hasni, Lenoir, Larose, Samson, Bousadra et Satiro dos Santos, 2008). Nous avons recouru à une analyse de contenu (Bardin, 2007) afin de dégager le discours des enseignants à l'égard de celles-ci.

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  18. The Familiar Foreigner: English Colonists and American Indians Writing Each Other

    … relations. Early American Indian writers such as Samson Occom and William Apess, meanwhile, try to reinterpret and reverse these tropes of familiarity and alienness: white culture acts as the alien culture which the Indian must adapt to or alter; the Indian acts as captive or missionary to this …

    uiuc Repository record for The Familiar Foreigner: English Colonists and American Indians Writing Each Other (opens in a new tab)

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