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Showing 1 to 6 of 6 for “"Saint-Saens"”.
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Saint-Saens' "Other": Orientalism in Samson et Dalila
… of listeners. This study continues to look at Saint-Saens' Samson et Dalila through the eyes of Locke and further examines the composer's use of Middle Eastern compositional techniques, including instrumentation, use of Arab modes, and use of threatening melodies and rhythms. These techniques …
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A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure
… composers, Charles-François Gounod, Camille Saint-Saëns, and Gabriel Fauré. The Romance Sans Parole genre seems to be quite unknown in the piano field; as a result, there are few secondary sources available. By immersing myself in these scores, I sought to discover their musical value and …
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Graduate Recital, Violin
… but is gradually gaining more exposure. The Saint-Saens Sonata No. 1 is a very energetic and virtuosic work that showcases Saint-Saens brilliant compositional talents. These three pieces came together in this recital to produce and challenging and exciting program, which was both entertaining …
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MM recitals
… Concerto No. 3 in B minor, Op. 61 -- Saint-Saens
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Works for Violin and Piano by French Composers, 1870-1950
… contrapuntal methods and cyclical forms. Camille Saint-Saens, Gabriel Faure and Germaine Tailleferre represent French Classicism, with extreme refinement, melodic purity, and extreme nobility and a classical sense of structure. Instead of overt displays of emotion they used sophisticated colors …