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Showing 1 to 4 of 4 for “"Sacred Harp"”.

  1. Imagined space in Sacred Harp singing

    Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2024-08-01

    uiuc Repository record for Imagined space in Sacred Harp singing (opens in a new tab)

  2. An Analytical and Educational Survey of the Sacred Harp by David Liptak

    … analytical and educational domains of The Sacred Harp by David Liptak. Influenced by the history and compositional techniques of shape note singing, the composition is a tribute to the past and current Sacred Harp singing conventions nationwide and the exuberance expressed within the shape …

    columbus-state Repository record for An Analytical and Educational Survey of the Sacred Harp by David Liptak (opens in a new tab)

  3. "Far in Distant Lands to Dwell": The Sacred Harp Presence in the Arkansas Ozarks

    … the rudiments of the 1844 religious songbook The Sacred Harp. While enjoying a long history among Deep South singers, The Sacred Harp has few regional ties to the Ozarks. The goal of this study was to determine why the singers in Springdale adopted The Sacred Harp rather than one of the most …

    mo-state Repository record for "Far in Distant Lands to Dwell": The Sacred Harp Presence in the Arkansas Ozarks (opens in a new tab)

  4. Change in Early Cincinnati's Musical Identity: Shape-Note Tunebooks from Timothy Flint's Columbian Harmonist (1816) to Timothy and Lowell Mason's Sacred Harp (1834)

    Shape-note tunebooks in early Cincinnati provide a particularly rich picture of the growth and change in earlynineteenth-century American musical culture. As Cincinnati changed from frontier town to cultivated city, andsimultaneously became a center for the publishing of music, its music industry …

    ohiolink Repository record for Change in Early Cincinnati's Musical Identity: Shape-Note Tunebooks from Timothy Flint's Columbian Harmonist (1816) to Timothy and Lowell Mason's Sacred Harp (1834) (opens in a new tab)