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Showing 1 to 12 of 12 for “"Recording Studio"”.

  1. Reimagining the Collective: Black Popular Music and Recording Studio Innovation, 1970-1990

    … practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a …

    cuny-grad Repository record for Reimagining the Collective: Black Popular Music and Recording Studio Innovation, 1970-1990 (opens in a new tab)

  2. The record producer as nexus: creative inspiration, technology and the recording industry

    … uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali-like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close …

    southwales Repository record for The record producer as nexus: creative inspiration, technology and the recording industry (opens in a new tab)

  3. Tempus fugit : music and the ephemeral in architecture

    … adult students of music, a radio station with recording studio, and a library/museum . There are a total of up to five performance venues, depending on the configuration of the facilities . The project aspires to changeability not merely to accommodate different performance scenarios but also …

    mit Repository record for Tempus fugit : music and the ephemeral in architecture (opens in a new tab)

  4. Balancing Sight + Sound: A study of acoustics and architecture

    … performance hall, several practice rooms, and a recording studio to be enjoyed by students and members of the community. During my research I found myself asking questions such as; what architectural choices can be made that are both visually and audibly pleasing? What acoustical factors should …

    vt Repository record for Balancing Sight + Sound: A study of acoustics and architecture (opens in a new tab)

  5. Practices of Listening: (Re)percussions of Sound, Silences and Censorship from (Post-)Apartheid South Africa

    … John Cage, I examine silence as both an object—a recording in a fixed medium—and as a verb directly addressing the question of censorship of the self and of others. The interplay of silencing and silence is expressed in my artistic practice which employs, as audio palate, the silences between the …

    cape-town Repository record for Practices of Listening: (Re)percussions of Sound, Silences and Censorship from (Post-)Apartheid South Africa (opens in a new tab)

  6. Home is Where the Tone is: The Emergence of Professional Home Recording Studios

    … emergence and acceptance of professional home recording studios in the music industry landscape. Additionally, I investigate why these unique spaces are a viable option for creating professional and top-quality commercial music and why some artists and engineers prefer to work in them over or …

    unr Repository record for Home is Where the Tone is: The Emergence of Professional Home Recording Studios (opens in a new tab)

  7. Studio Bench: the DIY Nomad and Noise Selector

    … a holistic practice that could be termed ‘Studio Bench’ from what have been previously seen as three separate activities: DIY electronic instrument making, sound studio practice, and live electronics. These activities also take place in three very specific spaces. Firstly, the workshop with …

    de-montfort Repository record for Studio Bench: the DIY Nomad and Noise Selector (opens in a new tab)

  8. "Copies without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices

    … taken from different periods of the history of recording technology, and addresses questions concerning the impact of mediatization, manipulation, and mediation on listeners' and performers' approaches to music. The project considers the development of the idea of "copies without originals," and …

    ottawa-retro Repository record for "Copies without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices (opens in a new tab)

  9. """I been to hear the highest kind of opera grand"": blues, ""good music,"" and the performance of race on record, 1920-1921"

    … composition and the constraints of the acoustic recording studio. “Good music” notwithstanding, the women also frequently utilized twelve-bar blues form, took considerable liberty with notated compositions, employed pronunciation that signaled blackness, and emphasized blue notes, syncopation, …

    uiuc Repository record for """I been to hear the highest kind of opera grand"": blues, ""good music,"" and the performance of race on record, 1920-1921" (opens in a new tab)

  10. Finite-Elemente-Methoden, Lösungsalgorithmen und Werkzeuge für die akustische Simulationstechnik

    … of the low-frequency room acoustics of a recording studio, compared with actual measurement results from the studio, demonstrates the opportunities for numerical acoustics simulations in very complex acoustic environments. A partition wall problem from building acoustics demonstrates all …

    aachen Repository record for Finite-Elemente-Methoden, Lösungsalgorithmen und Werkzeuge für die akustische Simulationstechnik (opens in a new tab)

  11. The Perception and Production of Portuguese Mid-Vowels by Native Speakers of American English

    … test perception were recorded in a professional recording studio in Brazil. <p>The study found that beginning and advanced learners had difficulty perceiving and correctly producing the Portuguese mid-vowels. In the perception study, beginners scored 70% on the {o} section and 68% on the {e} …

    byu Repository record for The Perception and Production of Portuguese Mid-Vowels by Native Speakers of American English (opens in a new tab)

  12. Technology Supported Learning within Art and Design: The acquisition of practical skills, with specific reference to undergraduate introductory sound recording and interview techniques

    … of practical skills associated with sound recording a location-based interview, introduced (as part of studio-based practice) during a three-hour class to level 1 undergraduate art and design students?” In addressing this research question I argue that the design and evaluation of TSL …

    wlv Repository record for Technology Supported Learning within Art and Design: The acquisition of practical skills, with specific reference to undergraduate introductory sound recording and interview techniques (opens in a new tab)