Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 12 of 12 for “"Recorded sound"”.
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Merging 20th Century Art Music and Pre-recorded Sound: 17 Pieces
… Is it possible to generate a series of original sound compositions that explore and provide potential solutions to the problematic at the core of the research? The pieces that where investigated and referenced were: Claude Debussy: Nuages, movement 1 from Trois Nocturnes Arnold Schoenberg: String …
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From Hyperreal Sonic-Images to Phonographic Sound: A Portfolio of Original Compositions
… portfolio explores disembodied phonographic sound through nine original works; ‘Tidal Streams’, 'PLAY', ‘Tryst’, ‘Everyday Mimesis; Grey Day’, ‘Vivified’, ‘Thoroughfares’, ‘Tempest in a Teacup’, ‘Tacet’ and ‘Empire Drive’. From the outset of this creative journey, phonography was applied as a …
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Archival time-based media : topologies of preservation and access
… time-based media of film, videotape, grooved sound recordings and audiotape have emerged as a growing area of concern for cultural institutions. Collectively, these media constitute a rich body of historical evidence and intangible cultural heritage whose varied physical and technological …
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The Sampling of Bodily Sound in Contemporary Composition: towards an embodied analysis
… contemporary compositions that sample bodily sound, in order to question how such works represent and mediate the body. The possible applications of this embodied methodology are illustrated through three case studies: Crackers by Christof Migone (2001), A Chance to Cut is a Chance to Cure by …
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"Copies without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices
… that have been used to describe and classify recorded sound. The first case study covers the early days of the phonograph and its development in Victorian society, then contrasts the values and motivations of those early years with modern-day rock performance and its own value systems. Moving …
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Structural change in the music industry : the evolving role of the musician
… that have prevailed for most of the century of recorded sound.
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Creating a sound world for Dracula (Brorwning, 1931).
Creating a Sound World for Dracula (Browning, 1931) The first use of recorded sound in a feature film was in Don Juan (Crosland 1926). From 1933 onwards, rich film scoring and Foley effects were common in many films. In this context, Dracula (Browning 1931)1 belongs to the transitional period …
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Sound in Conflict: Lyric Poetry and the American Civil War
… War aesthetics, in favour of attention to its sounds. I also set out to discover whether lyric poetry, now held to be an essentially sounded medium, can be understood as part of the boom in sound technologies that textured the nineteenth century. These two aims can be drawn together into one …
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Acousmatic Storytelling: A compositional approach
… archival recordings, interviews, transformed sounds, and referential sounds, the microphone and recorded medium became a time machine, ‘thought capturer’ and a conduit for conveying cultural information. All these elements combined with the sonic world composed in the studio are creating a …
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Auditory-Based Supplemental Information Processing Demand Effects on Driving Performance
… of a driving route from a list presented as a recorded sound. These tasks represented the use of In-Vehicle Information Systems (IVIS). The second type of task consisted of a conversation like series of questions designed to replicate the use of a cellular telephone while driving. The IVIS …
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State, Nation and Music in Independent Ireland, 1922-51
… rhythmic structure and arrangement, composition, recorded sound, printed musical scores, or lyrical content, although references to these will be made where suitable or necessary. The term ‘music’, as it is used here, generally refers to the practical art o f producing sound, both instrumental and …
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Nowhere Landscape, for Clarinets, Trombones, Percussion, Violins, and Electronics and “The Map and the Territory: Documenting David Dunn’s Sky Drift”
… performers, composed of acoustic and electronic sounds. Its fifteen movements invoke a variety of listening strategies, using slow change, stasis, layering, coincidence, and silence to draw attention to the sonic effects of the environment—inside the concert hall as well as the world outside of …