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Showing 1 to 3 of 3 for “"Rebecca Clarke"”.

  1. Women's Contributions to Viola Repertoire and Pedagogy in the Twentieth Century: Rebecca Clarke, Lillian Fuchs, and Rosemary Glyde

    … dissertation discusses the life and work of Rebecca Clarke (1886–1979), Lillian Fuchs (1901–1995), and Rosemary Glyde (1949–1994), whose concept of the viola’s sound was fundamentally different from their male counterparts Lionel Tertis (1875–1975) and William Primrose (1904–1982). These …

    cuny-grad Repository record for Women's Contributions to Viola Repertoire and Pedagogy in the Twentieth Century: Rebecca Clarke, Lillian Fuchs, and Rosemary Glyde (opens in a new tab)

  2. Violin and voice as partners in three early twentieth-century English works for voice and violin.

    … the twentieth century: Gustav Holst (1874-1934), Rebecca Clarke (1886-1979), and Ralph Vaughan Williams (1872-1958) each wrote works for violin and voice. Holst's Four Songs for Voice and Violin, Op. 35 (1917), Vaughan Williams' Along the Field, Eight Housman Songs for Voice and Violin (1927, …

    unt Repository record for Violin and voice as partners in three early twentieth-century English works for voice and violin. (opens in a new tab)

  3. Rebecca Clarke's Sonata for Viola and Piano and William Walton's Concerto for Viola and Orchestra: A Comparison of Form and Viola Technique

    … study is to show the formal relationship between Rebecca Clarke's Sonata for Viola and Piano, and William Walton's Concerto for Viola and Orchestra. Chapter 1 in this document contains historical background information on Clarke, Walton, and both of their viola works. Chapter 2 is a full analysis …

    south-carolina Repository record for Rebecca Clarke's Sonata for Viola and Piano and William Walton's Concerto for Viola and Orchestra: A Comparison of Form and Viola Technique (opens in a new tab)