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Showing 1 to 4 of 4 for “"Raskolnikov"”.
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Fyodor Dostoevsky's Crime and Punishment Raskolnikov: Image of a Modern Man
As a novelist, Fyodor Mikhailovitch Dostoevsky portrays his characters skillfully in the play of Rem- brandtesque lighting. Like Rembrandt, Dostoevsky focuses hie attention on the dark side of man, and the only light that is visible comes from within the depths of man himself. When Dostoevsky …
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Semiotics and Christian Discipleship in Fyodor Dostoevsky’s <em>Crime and Punishment</em> and Dietrich Bonhoeffer’s <em>The Cost of Discipleship</em>
… as a coherent text, especially in regard to Raskolnikov's fragmentary conversion to that faith. Even at the end of the novel, Raskolnikov is more on the threshold of Christian discipleship. As the narrator describes, Raskolnikov's conversion to such a disposition has been a long time in …
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"Numerological Code in Dostoevsky's ""Crime and Punishment"
… the number 4 as a symbol, which relates the Raskolnikov story to that of Lazarus. An analysis of the many meaningful numbers in Sonya story shows the clear parallel between her story and that of Christ, especially, His Passion. The role of the number 9 is crucial in bringing together in the …
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Precisiones sobre el concepto de renuncia en Albert Camus
… A través de ejemplos literarios, como Calígula y Raskolnikov, el trabajo muestra cómo la renuncia se sitúa en una zona liminal: anterior a la pregunta por el crimen pero posterior a la pregunta por el suicidio, reflejando la responsabilidad de quien elige el silencio en un mundo beligerante. En …