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Showing 1 to 2 of 2 for “"Psalm 137"”.

  1. Arvo Pärt’s manipulation of the tintinnabular style in three representative choral works: An den Wassern zu Babel saẞen wir und weinten (1976), And One of the Pharisees (1992), and Adam’s Lament (2009)

    … saßen wir und weinten for voices or mixed choir (Psalm 137) for SATB and organ, And One of the Pharisees… (1992) for 3 voices or 3-part choir (Ct/ATB) a cappella, and Adam’s Lament (2009) for SATB choir and string orchestra. While all these choral works employ the tintinnabular style that Pärt …

    uiuc Repository record for Arvo Pärt’s manipulation of the tintinnabular style in three representative choral works: An den Wassern zu Babel saẞen wir und weinten (1976), And One of the Pharisees (1992), and Adam’s Lament (2009) (opens in a new tab)

  2. Tehillim

    The decision to set the original Hebrew texts of Psalms 24, 67, and 137 was a deliberate one, affecting nearly every compositional aspect of the work in that the nature of the Hebrew language informed the rhythm, meter and phrase structure of the melodic line. Tehillim presents Psalms 24, 67, and …

    duquesne Repository record for Tehillim (opens in a new tab)