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Showing 1 to 5 of 5 for “"Practicing (Music)"”.

  1. YOU'RE THERE IN THE TIME SLIP: A HERMENEUTIC EXPLORATION OF AESTHETIC EXPERIENCE IN MUSICKING THROUGH THE LENS OF MIHALYI CSIKZENTMIHALYI'S FLOW STATE THEORY

    … the aesthetic experience as it is encountered in music, and, in so doing, to develop an operational definition of aesthetic experience as it is understood and experienced by practitioners in relation to the phenomenon as it is found in the canon of literature. The following specific questions are …

    siu-theses Repository record for YOU'RE THERE IN THE TIME SLIP: A HERMENEUTIC EXPLORATION OF AESTHETIC EXPERIENCE IN MUSICKING THROUGH THE LENS OF MIHALYI CSIKZENTMIHALYI'S FLOW STATE THEORY (opens in a new tab)

  2. From inherited practices to imagined possibilities: teacher educator agency in American Orff-Schulwerk teacher education

    … a unique position of influence in American music education, with over 100 TEs teaching nearly 1,400 teachers across 43 locations in 30 states during summer 2024. Unlike music teacher educators in higher education, most Orff Schulwerk TEs are practicing music educators who serve as TEs …

    bu Repository record for From inherited practices to imagined possibilities: teacher educator agency in American Orff-Schulwerk teacher education (opens in a new tab)

  3. The Effects of Practice Procedure and Task Difficulty on Tonal Pattern Accuracy.

    … and mental practice, in the context of a music performance of a tonal pattern over harmonic progressions of two difficulty levels. Using a sampling without replacement procedure, sixty undergraduate students were assigned to four practice groups partially blocked for musical instrument. …

    unt Repository record for The Effects of Practice Procedure and Task Difficulty on Tonal Pattern Accuracy. (opens in a new tab)

  4. The role of biomechanical parameters in upper-extremity musculoskeletal pain experienced by trombonists

    lethbridge

  5. The effect of lip-slur practice on increasing pitch range in brasswind instrument students

    Lip-slur exercises comprise part of the practice routines of many professional and serious amateur brasswind players. There are several reasons why so many players practise lip-slurs. One of those reasons is the belief that lip-slurs contribute to the development of the brasswind high register. …

    edithcowan Repository record for The effect of lip-slur practice on increasing pitch range in brasswind instrument students (opens in a new tab)