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Showing 1 to 8 of 8 for “"Post-revolutionary Mexico"”.
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The State of Culture: Institutional Patrimony in Post -Revolutionary Mexico
"Through an analysis of four different cultural institutions, the articulation between ""the people"" and national culture is foregrounded as a governmental claim, a pursuit of popular allegiance and affiliation that while rhetorical has nevertheless solidified into ""truth."" The murals on …
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"True Patriots for the Salvation of the Fatherland": Sinarquistas and the Struggle for Post-Revolutionary Mexico
The efforts of Mexico's revolutionary leaders to rein in clerical power produced many violent confrontations between secular liberals and partisans for the Roman Catholic Church. Formed in 1937, the Unión Nacional Sinarquista built up a following of conservative Catholics in part by means of a mass …
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Calendars and the Cosmic Race: Popular Art and the Negotiation of National Identity, Idigeneity, and Gender in Post-Revolutionary Mexico
… popular art form of calendar chromos during the post-revolutionary period in Mexico. During this time various political figures sought to fill the power vacuum left by the ousting of Porfirio Díaz. As a result, many of these political figures co-opted the revolution, transforming it in la …
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Cuerpo, mujer y nación: el Bildungsroman posrevolucionario mexicano
… political, and social circumstances of post-revolutionary Mexico are manifested through the psychological and physiological representation of the main characters. The female body and its descriptions are a central theme in the narratives of these Bildungsromane. Furthermore, they …
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'Muchos Méxicos': widening the lens in Rulfo's cinematic texts
… his unrelenting depictions of the failures of post-revolutionary Mexico in his short story collection El Llano en llamas (1953). In her foreword to the Margaret Sayers Peden English translation, Susan Sontag hails Pedro Páramo as ‘not only one of the masterpieces of 20th Century world …
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A Web of Connections: How Early Twentieth-Century American Women Writers and Photographers Situated a New Way of Seeing
… their involvement in the cultural renaissance in post-revolutionary Mexico in the 1920s and through their depictions of indigenous Mexicans. Finally, photographer Dorothy Ulmann and Julia Peterkin were connected not only through their personal friendship, but also through their commitment to …
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La patria perdida o imaginada: translating teodoro torres in "el mexico de afuera"
… her place of birth inspires Luis to return to Mexico, only to discover that post-Revolutionary Mexico is vastly different from the Mexico which he and his wife had so adored. And unlike the protagonists in Don Chipote and Under the Texas Sun, who return to Mexico only after concluding that the …
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(Re)mapping the Borderlands of Blackness: Afro-Mexican Consciousness and the Politics of Culture
<p>The dominant cartography of post-Revolutionary Mexico has relied upon strategic constructions of a unified and homogenized national and cultural consciousness (mexicanidad), in order to invent and map a coherent image of imagined community. These strategic boundaries of mexicanidad have also …