Global ETD Search
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Showing 1 to 5 of 5 for “"Pied Piper"”.
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Playing the Piper: A Narratological Interpretation of John Corigliano’s Pied Piper Fantasy (1982)
John Corigliano’s Pied Piper Fantasy is a rather unusual concerto in the flute world. Written for and premiered by James Galway in 1982, the piece tells the familiar tale of the Pied Piper in Hamelin. In addition to being technically challenging, the piece has a music-theatrical dimension, …
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Fowl feathered fox: Monsters, pipers, families and flocks
Fowl Feathered Fox: Monsters, Pipers, Families and Flocks is a doctoral work consisting of a full-length stage play and an exegesis. An introduction outlines the scope of the doctoral work, while a concluding chapter reflects on research findings and considers staging issues and implications. …
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From the Shadows: a Collection of Flute Music by Living Black American Composers
… on compact disc: 1. Adolphus Hailstork, The Pied Piper of Harlem for solo flute (1980) 2. Allison Loggins-Hull, Homeland for solo flute (2018) 3. Brian Raphael Nabors, Énergie for flute and fixed-format electronics (2015) 4. Allison Loggins-Hull, Pray for flute and electronics (2010) 5. Brian …
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Resistance on the Imperial Terrain: Constructing a counter-Empire in Paul Beatty’s The White Boy Shuffle
… America to that of a Negro Demagogue and Ebon Pied Piper, immediately casts into doubt the ability of and desirability for a single person to represent such a wide spectrum of particular entities. Instead, what becomes clear is that such a reductive form of representation serves only to stifle …
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Resistance on the Imperial Terrain: Constructing a counter-Empire in Paul Beatty’s The White Boy Shuffle
… America to that of a Negro Demagogue and Ebon Pied Piper, immediately casts into doubt the ability of and desirability for a single person to represent such a wide spectrum of particular entities. Instead, what becomes clear is that such a reductive form of representation serves only to stifle …