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Showing 1 to 7 of 7 for “"Performance Praxis"”.

  1. PERFORMATIVE CORPORATE TRAINING IN TAIWAN

    … Pineau This dissertation attempts to translate performance concepts and techniques into corporate training models for concretely increasing Taiwanese business competencies. I argue that this performance praxis is especially relevant to Taiwanese business contexts because of our Taoist …

    siu-theses Repository record for PERFORMATIVE CORPORATE TRAINING IN TAIWAN (opens in a new tab)

  2. Finding the spaces between forms: An inquiry into memory work through the intermedial interplay between media and presence

    This study sought to explicate my intermedial performance praxis as a theatre-maker, filmmaker and researcher. Intermedial performance practice was a generative way to respond to the gathering restrictions as a multidisciplinary artist during the Covid-19 pandemic; and a meaningful method to carry …

    cape-town Repository record for Finding the spaces between forms: An inquiry into memory work through the intermedial interplay between media and presence (opens in a new tab)

  3. What's At Hand: Improvisation, Group Facilitation, and 'Agreement' Among Strangers

    … of what’s at hand: a facilitated improvisation performance that engages the gathered audience as both spectator and participant, and promotes the teacher as co--‐performer. This paper outlines Pfeifer’s background and training as a performance--‐based improviser, teacher and workshop …

    regina Repository record for What's At Hand: Improvisation, Group Facilitation, and 'Agreement' Among Strangers (opens in a new tab)

  4. Moving-voicing-remembering resonating embodied memory through performance as research

    … the textural and aural experience within my own performance practice, offered an opportunity to engage embodied memory as corporeal traces of sound knowledges that live within and are maintained by, a range of resonant relationships. Inspired by the works of German sociologist Hartmut Rosa and …

    cape-town Repository record for Moving-voicing-remembering resonating embodied memory through performance as research (opens in a new tab)

  5. Performing nostalgia: body, memory, and the aesthetics of past-home

    … personal and autoethnographic narrative, and performance theories and practices to reinvigorate the relations between body, memory, aesthetics, past, and home. Attending to operations of time and space, I theorize the aforementioned relations in order to build a theory of critical nostalgia. …

    lsu-thes Repository record for Performing nostalgia: body, memory, and the aesthetics of past-home (opens in a new tab)

  6. Diva Voce : reimagining the diva in contemporary feminist performance

    This practice-led contemporary performance study investigates and invigorates the diva icon’s usefulness to feminist theatre praxis. It traces the research journey from an unexamined belief in the diva as an icon of empowered, independent and expressive womanhood, to a more nuanced conception of …

    edithcowan Repository record for Diva Voce : reimagining the diva in contemporary feminist performance (opens in a new tab)

  7. Reimagining Indigenous Identity through Performance Text-Counting Coup on the "Cop in the Head"

    This dissertation interrogates obscured Indigenous identities by way of an original dramatic script that employs story-telling as an inherent cultural device that sustains a sense of peoplehood. In an art-based inquiry, I use Gerald Vizenor's notion of "postindian" to respond to the ways in which …

    arizona-thes Repository record for Reimagining Indigenous Identity through Performance Text-Counting Coup on the "Cop in the Head" (opens in a new tab)