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Showing 1 to 8 of 8 for “"Pauline Hopkins"”.

  1. Race, gender and empire: transnational and transracial feminism in the first novels of Pauline Hopkins and Olive Schreiner

    … (1855-1920) and African American author Pauline Elizabeth Hopkins (1859-1930) are well-known and celebrated literary figures in their own right, but are seldom read side by side. Furthermore, these authors and their works are traditionally placed on different spectrums of feminist …

    cape-town Repository record for Race, gender and empire: transnational and transracial feminism in the first novels of Pauline Hopkins and Olive Schreiner (opens in a new tab)

  2. Solving the ‘Mystery’ of Blackness through African American Detective Fiction: Pauline Hopkins’ and Rudolph Fisher’s Intervention in a White Tradition

    … works of African American detective fiction, Pauline Hopkins’ Hagar’s Daughter and Rudolph Fisher’s The Conjure-Man Dies, and the ways in which these writers intervene in a white-dominated tradition to expose constructions of race. As these writers work from and modify models of detective …

    ku Repository record for Solving the ‘Mystery’ of Blackness through African American Detective Fiction: Pauline Hopkins’ and Rudolph Fisher’s Intervention in a White Tradition (opens in a new tab)

  3. Competing visions: Women writers and male illustrators in the Golden Age of Illustration

    … texts by Elinore Pruitt Stewart, Edith Wharton, Pauline Hopkins, and Zitkala-Sa exposes how writers, illustrators, and readers made sense of some of the most important ideological debates of the late nineteenth and early twentieth centuries.</p>

    unh-thes Repository record for Competing visions: Women writers and male illustrators in the Golden Age of Illustration (opens in a new tab)

  4. Obscure, unclassed and undefinable: social immobility for mixed races in the nineteenth century presented in Jude the Obscure and Of One Blood

    … looking at Thomas Hardy’s Jude the Obscure and Pauline Hopkins’ Of One Blood. These two nineteenth-century novels expose the production of unclassifiable who are outcast based on what I call a “class-race-intellect disagreement.” By revealing the life and struggles of the mixed-raced individual, …

    binghamton Repository record for Obscure, unclassed and undefinable: social immobility for mixed races in the nineteenth century presented in Jude the Obscure and Of One Blood (opens in a new tab)

  5. Insurrection in Black: Reading Race and Revolt in the Long Nineteenth Century

    … Parsons, Sutton E. Griggs, Thomas Dixon, and Pauline Hopkins. A comparative approach to these texts reveals that, far from representing a stable or straightforward politics, black rebellion in print often served competing ends not necessarily aligned with black freedom struggles. Ultimately, …

    maryland Repository record for Insurrection in Black: Reading Race and Revolt in the Long Nineteenth Century (opens in a new tab)

  6. Staging Intersectionality: Power and Performance in American Cultural Texts, 1855-2019

    … Black woman singer in the antebellum period), Pauline Hopkins (the late nineteenth- and early twentieth-century novelist and soprano), Sissieretta Jones (a twentieth-century soprano singer), and Beyoncé Knowles-Carter (a contemporary singer-celebrity, songwriter, and producer), this study …

    duquesne Repository record for Staging Intersectionality: Power and Performance in American Cultural Texts, 1855-2019 (opens in a new tab)

  7. Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America

    … look at the syncretic uses of "Ethiopianism" in Pauline Hopkins' <italic>Of One Blood</italic>, J. A. Casely Hayford's <italic>Ethiopia Unbound</italic>, and W. E. B. Du Bois' <italic>Darkwater</italic> in order to explore the new paths that Pan-African and diasporic thought would take in the …

    duke Repository record for Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America (opens in a new tab)

  8. Novel faiths: nonsecular fiction in the late-nineteenth-century U.S.

    My dissertation, “Novel Faiths: Nonsecular Fiction in the Late-Nineteenth-Century U.S.,” presents a new theory of the novel genre using an archive seldom put to such ends: late-nineteenth-century America’s outpouring of popular religious fiction. For many scholars, the novel form and the period …

    uiuc Repository record for Novel faiths: nonsecular fiction in the late-nineteenth-century U.S. (opens in a new tab)