Global ETD Search

Embodying slavery in contemporary American literature : representations of slavery's enduring influence on women's corporeal identity in novels by Paule Marshall, Ellen Gilchrist, Ellen Douglas and Gloria Naylor.

Rogers, Susan ElizabethUniversity of Hull1999

hull Repository record for Embodying slavery in contemporary American literature : representations of slavery's enduring influence on women's corporeal identity in novels by Paule Marshall, Ellen Gilchrist, Ellen Douglas and Gloria Naylor. (opens in a new tab)

TRANSNATIONAL JAZZ AND BLUES: AURAL AESTHETICS AND AFRICAN DIASPORIC FICTION

Hartley, Daniel LeClair2010

… Kay in <italic>Trumpet</italic> (1999) and Paule Marshall in <italic>The Fisher King</italic> (2000) represent the jazz-inflected solo as a means through which their characters build individual identities that challenge notions of an undifferentiated, monolithic African Diaspora. In Chapter …

maryland Repository record for TRANSNATIONAL JAZZ AND BLUES: AURAL AESTHETICS AND AFRICAN DIASPORIC FICTION (opens in a new tab)

Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration

Tressler, Gretchen E.2011

… Earl Lovelace's "The Dragon Can't Dance" (1979), Paule Marshall's "Praisesong for the Widow" (1983), and Marie-Elena John's "Unburnable" (2006).

iupui Repository record for Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration (opens in a new tab)