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Showing 1 to 19 of 19 for “"Pasolini"”.

  1. Pier Paolo Pasolini and the work of subjectivity

    This dissertation examines the work of Pier Paolo Pasolini through the diverse forms and operations in which subjectivity presents itself and determines the orientation of his aesthetic, cultural and ideological practice. It develops a model of the work of subjectivity which is then applied in turn …

    cambridge Repository record for Pier Paolo Pasolini and the work of subjectivity (opens in a new tab)

  2. Roma letteraria in D'Annunzio, Moravia e Pasolini. Una lettura semiotica

    … Moravia e "Ragazzi di vita" di Pier Paolo Pasolini, Roma si pone come ‘altro’ da un semplice scenario davanti al quale si svolge la narrazione. La città interloquisce con il lettore, contribuendo alla costruzione di una forma alternativa di discorso poetico e critico che si muove tra etica …

    toronto-retro Repository record for Roma letteraria in D'Annunzio, Moravia e Pasolini. Una lettura semiotica (opens in a new tab)

  3. Mimesis: Figure di realismo e postrealismo dantesco nell’opera di Pier Paolo Pasolini

    … linguistico e stilistico di mimesis dantesca in Pasolini. Costituisce parte di un più ampio discorso sulla rappresentazione culturale che a partire da alcune sue opere teoretiche e creative particolarmente significative intende problematizzare il ruolo di critici letterari come Contini ed …

    birmingham Repository record for Mimesis: Figure di realismo e postrealismo dantesco nell’opera di Pier Paolo Pasolini (opens in a new tab)

  4. IL CINEMA DI PIER PAOLO PASOLINI SECONDO LO STATO. CENSURA, MAGISTRATURA E PARLAMENTO

    … by Italian State institutions towards Pier Paolo Pasolini's cinema. The perspective of the institutional history of cinema was taken, in consideration of how cinema is part of an industrial context which has effective repercussions on the ways in which the State enters into relations with it. The …

    milano Repository record for IL CINEMA DI PIER PAOLO PASOLINI SECONDO LO STATO. CENSURA, MAGISTRATURA E PARLAMENTO (opens in a new tab)

  5. Hoc est enim corpus meum: christian art and passion inonography in the work of Pier Paolo Pasolini and Jean-Luc Godard

    In this thesis I examine how Pier Paolo Pasolini and Jean-Luc Godard deploy images from Christian art, particularly in relation to the Passion, in their respective oeuvres. Using the work of French philosopher Jean-Luc Nancy on the image and post-Christianity as a methodological touchstone, I …

    cork Repository record for Hoc est enim corpus meum: christian art and passion inonography in the work of Pier Paolo Pasolini and Jean-Luc Godard (opens in a new tab)

  6. Acid Messianism: Pier Paolo Pasolini’s Script for ‘San Paolo’

    When he died in 1975, Pier Paolo Pasolini left a manuscript entitled ‘Plan for a Film About Saint Paul’, posthumously published as ‘San Paolo’5. This practicebased thesis provides an original interpretation of ‘San Paolo’ as the conceptual hinge between ‘Il vangelo secondo Matteo’6 (1964) and ‘Salò …

    arts-london Repository record for Acid Messianism: Pier Paolo Pasolini’s Script for ‘San Paolo’ (opens in a new tab)

  7. In the Theater of my Mind: Authorship, Personae, and the Making of Pier Paolo Pasolini's Work

    Pier Paolo Pasolini is one of the most important but also most misunderstood Italian artists and intellectuals of last century, a cultural and artistic myth often understood and used in excessively sectorial or expedient ways. This dissertation defines and explores Pasolini's carefully constructed …

    columbia-diss Repository record for In the Theater of my Mind: Authorship, Personae, and the Making of Pier Paolo Pasolini's Work (opens in a new tab)

  8. Subjectivity And Politics In Pasolini's Bourgeois Tragic Theater

    Italian author Pier Paolo Pasolini wrote his plays Affabulazione, Orgia and Porcile during his shift to theater in the late 1960s as a critical response to consumer culture in Italy and the West more generally. For him, this expanding mass, petit-bourgeois civilization displaced Italy’s premodern …

    penn Repository record for Subjectivity And Politics In Pasolini's Bourgeois Tragic Theater (opens in a new tab)

  9. Radical Turns From Gramsci To Negri. Life, Biopolitics And Social Change In Italy

    … Movement of 1968 in its dialogue with Pier Paolo Pasolini, the Marxist neo-feminist discourse on reproduction carried out by Lotta Femminista, and finally the thought of Antonio Negri and its notion of the multitude in the context of the Anti-Globalization Movement. Each of these turning points …

    cornell Repository record for Radical Turns From Gramsci To Negri. Life, Biopolitics And Social Change In Italy (opens in a new tab)

  10. Pasolini's Cinema of the Outside and the Problem of the Renewal of Marxism: Ontology, Semiology, Semiotics and Pedagogy

    My thesis explores Pasolini’s work with a twofold purpose, historical and philosophical. It extracts for the first time a consistent political philosophy from his multifaceted activity as an intellectual, literary critic, poet, journalist, and cinema director, spelling out the specific relevance of …

    oxford-brookes Repository record for Pasolini's Cinema of the Outside and the Problem of the Renewal of Marxism: Ontology, Semiology, Semiotics and Pedagogy (opens in a new tab)

  11. Ο μάντης Τειρεσίας στην αρχαία τραγωδία: από την Τύφλωση στην Πνευματική Όραση

    … και τον κινηματογραφικό Edipo Re του Pier Paolo Pasolini. Τον εντοπίζουμε επίσης στη σύγχρονη ποίηση του Γιάννη Ρίτσου αλλά και στη μουσική του Θανάση Παπακωνσταντίνου, όπου ο Τειρεσίας λειτουργεί ως σύμβολο υπαρξιακής αναζήτησης. Αυτή η διαχρονική παρουσία, ακόμα κι αν δεν αποτελεί αντικείμενο …

    athens Repository record for Ο μάντης Τειρεσίας στην αρχαία τραγωδία: από την Τύφλωση στην Πνευματική Όραση (opens in a new tab)

  12. Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978)

    … Cavani), Teorema (Theorem, 1968, dir. Pier Paolo Pasolini), Nel nome del padre (In the Name of the Father, 1972, dir. Marco Bellocchio) and Fratello sole, sorella luna (Brother Sun, Sister Moon, 1972, dir. Franco Zeffirelli). Challenging the notion of Italian Catholicism as a monolithic and …

    westminster Repository record for Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978) (opens in a new tab)

  13. Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978)

    … Cavani), Teorema (Theorem, 1968, dir. Pier Paolo Pasolini), Nel nome del padre (In the Name of the Father, 1972, dir. Marco Bellocchio) and Fratello sole, sorella luna (Brother Sun, Sister Moon, 1972, dir. Franco Zeffirelli). Challenging the notion of Italian Catholicism as a monolithic and …

    westminster

  14. The attenuation of seismic intensity

    bologna Repository record for The attenuation of seismic intensity (opens in a new tab)

  15. The Beloved: A documentary film on the history and aftermath of Fremantle’s Rajneesh sannyasin community – and – Hidden Realities: Transcendental Structures in Documentary Film: An exegesis

    … writings of Zavattini (1940), Bazin (1946), Pasolini (1965), Schrader (1972), Deleuze (1985), and more recently, Perez (1998) and Minghelli (2016). All of these theorists have identified a cinema of a double nature: on one level, explicit in its narrative programme and engagement, while on …

    edithcowan Repository record for The Beloved: A documentary film on the history and aftermath of Fremantle’s Rajneesh sannyasin community – and – Hidden Realities: Transcendental Structures in Documentary Film: An exegesis (opens in a new tab)

  16. A Monster for Our Times: Reading Sade across the Centuries

    … essayists like Blanchot and Bataille, or Pasolini in Salò--and the underground readings that occur in the realms of erotic fiction and film, paying special attention to how Sade was used in various political and artistic debates. Finally, my conclusion discusses the place of Sade in …

    columbia-diss Repository record for A Monster for Our Times: Reading Sade across the Centuries (opens in a new tab)

  17. British art cinema, 1975-2000 : context and practice

    … individual forebears such as Resnais, Godard, Pasolini and Wenders, and previous examples of art films in Britain.Furthermore in examining the filmmaking practices of these leading British art cinema directors this thesis will demonstrate British art cinema's stylistic and thematic eclecticism. …

    hull Repository record for British art cinema, 1975-2000 : context and practice (opens in a new tab)

  18. Il paesaggio nella rappresentazione cinematografica Caratteri, significati e suggestioni

    … Prendendo spunto dal lavoro di alcuni registi ( Pasolini, Antonioni, Godard, Ford) , si è studiato l'approccio al paesaggio autonomo nelle sue tipologie di spazio diegetico ed extra diegetico. Infine, i due capitoli conclusivi esaminano e comparano i due generi di paesaggio cinematografico per …

    catania Repository record for Il paesaggio nella rappresentazione cinematografica Caratteri, significati e suggestioni (opens in a new tab)

  19. Cinema's Poetic Function: Creating an Amorous Distance

    <p>The aim of this thesis is to examine how cinema can embrace its poetic function to avoid its assimilation into preexisting hermeneutic structures, which would leave it vulnerable to myth as defined by Roland Barthes, and instead be a generative force, encouraging its viewer to engage with the …

    chapman Repository record for Cinema's Poetic Function: Creating an Amorous Distance (opens in a new tab)