Global ETD Search

Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

Results

Showing 1 to 4 of 4 for “"Partbooks"”.

  1. Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction

    Transcriptions: No. 43, Judica me, Deus / Andreas de Silva -- No. 44, Sub tuum predium / anonymous -- No. 45, Ecce nunc benedicite dominum / Andreas de Silva -- No. 46, In illo tempore sciens Jhesus / anonymous -- No. 47, Magne pater Augustine / anonymous -- No 48, Regum regum dominum / Costanzo …

    buffalo Repository record for Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction (opens in a new tab)

  2. Achieving a historically informed performance of Renaissance polyphony: A qualitative study of the use of modernized partbooks

    … to answer the following question: do modernized partbooks positively impact the conductor’s ability to teach the skills needed to achieve a historically informed performance of Renaissance polyphony? Additionally, this project queries participants’ rehearsal techniques, interpreting which are …

    uiuc Repository record for Achieving a historically informed performance of Renaissance polyphony: A qualitative study of the use of modernized partbooks (opens in a new tab)

  3. A chansonnier from Lyons: The manuscript Vienna, Oesterreichische Nationalbibliothek, Mus.Hs. 1811. (Volumes I and II)

    … Mus.Hs. 18811 consists of four paper partbooks in oblong quarto format, containing 81 French chansons for four voices by composers active during the reigns of Francis I and Henry II. Seven pieces are chansons spirituelles; the remaining works have secular texts.

    uiuc Repository record for A chansonnier from Lyons: The manuscript Vienna, Oesterreichische Nationalbibliothek, Mus.Hs. 1811. (Volumes I and II) (opens in a new tab)

  4. Singing Petrarch in the Cinquecento: Embodied Reading and the Italian Madrigal

    … interplay and cadences between the voice parts. Partbooks can function as autonomous musical expressions of the text that contain sufficient musical emphasis of the verse’s arrangement of sounds and word repetitions, even though they are also heard in polyphony.</p> <p>The conclusion to this …

    cuny-grad Repository record for Singing Petrarch in the Cinquecento: Embodied Reading and the Italian Madrigal (opens in a new tab)