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Showing 1 to 4 of 4 for “"Painting, Renaissance"”.

  1. The metaphor of perspective

    … of decorum long associated with “good” painting, but satirically subverts them to create a series of grotesque images of courtiers and parliamentarians in keeping with his corrupt subject matter. Dryden’s Annus Mirabilis also draws upon visual cultural material to give a more favorable …

    adelaide Repository record for The metaphor of perspective (opens in a new tab)

  2. Correggio and the Sacred Image

    … woven into the criticism around Correggio's painting. The language of Italian reform in this way offers a conceptual frame for understanding the resonance of the artist's distinct pictorial touch. At the same time, Correggio's melting surfaces represent an ideal metaphor for a mode of …

    columbia-diss Repository record for Correggio and the Sacred Image (opens in a new tab)

  3. Italian Renaissance Depictions of the Ottoman Sultan: Nuances in the Function of Early Modern Italian Portraiture

    … way by an interest in the function of Italian Renaissance portraiture. The essential question is concerned with the expanded functional range of portraiture within the context of early modern cross-cultural engagement between traditional foes. The dissertation casts a spotlight on the …

    columbia-diss Repository record for Italian Renaissance Depictions of the Ottoman Sultan: Nuances in the Function of Early Modern Italian Portraiture (opens in a new tab)

  4. Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice

    … itself within endeavours to “de-centre” the Renaissance conceptually, and is especially indebted to recent studies of material culture that challenge art historical hierarchies and aesthetic biases. The dissertation provides a multilayered reading of Bernardino Licinio’s artistic identity …

    toronto-retro Repository record for Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice (opens in a new tab)