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Showing 1 to 6 of 6 for “"Ousmane Sembène"”.
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A contrapuntal examination of selected works by Roger Vailland and Ousmane Sembène, 1950-1960
Abstract available: p.2
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L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée
Of the eighteen films produced by the Senegalese Ousmane Sembène, five are adaptations of his novels and novellas. In the case of Guelwaar, his sixth and last adaptation, it is the novel which he adapted to the film of the same name. Sembène, who considered himself to be a "modem griot", felt that …
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Within Double Restraint: The Dialectics & Aesthetics of Erotic [Re]presentation in African Cinema
… (Abedellatif Kechiche, 2010), La Noire de… (Ousmane Sembène, 1966), Touki Bouki (Djibril Diop Mambéty, 1973), Visages de Femmes (Désiré Écaré, 1985) and Les Saignantes (Jean-Pierre Bekolo, 2005).
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Les Quatre « montagnes » transformées: La Perspective d’Ousmane Sembène envers l’occident, la tradition, les hommes et les femmes dans Faat Kiné et Moolaadé
Cette thèse analysera les façons diverses qu’Ousmane Sembène a mélangé la distinction binaire entre victime et oppresseur, femme et opposant, à travers des intrigues, des personnages, des symboles visuels, et des scènes allégoriques dans ses deux derniers films ; Faat Kiné et Moolaadé.
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Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia
… The Beautyful Ones Are Not Yet Born (1968) and Ousmane Sembène’s Xala (1975); chapter four examines how Ritwik Ghatak’s The Cloud-Capped Star (1960) and Buchi Emecheta’s Destination Biafra (1982) situate subjective experience as an intervention into Partition and Nigerian Civil War …