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Showing 1 to 6 of 6 for “"Ousmane Sembène"”.

  1. L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée

    Of the eighteen films produced by the Senegalese Ousmane Sembène, five are adaptations of his novels and novellas. In the case of Guelwaar, his sixth and last adaptation, it is the novel which he adapted to the film of the same name. Sembène, who considered himself to be a "modem griot", felt that …

    cape-town Repository record for L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée (opens in a new tab)

  2. Within Double Restraint: The Dialectics & Aesthetics of Erotic [Re]presentation in African Cinema

    … (Abedellatif Kechiche, 2010), La Noire de… (Ousmane Sembène, 1966), Touki Bouki (Djibril Diop Mambéty, 1973), Visages de Femmes (Désiré Écaré, 1985) and Les Saignantes (Jean-Pierre Bekolo, 2005).

    carleton Repository record for Within Double Restraint: The Dialectics & Aesthetics of Erotic [Re]presentation in African Cinema (opens in a new tab)

  3. Les Quatre « montagnes » transformées: La Perspective d’Ousmane Sembène envers l’occident, la tradition, les hommes et les femmes dans Faat Kiné et Moolaadé

    Cette thèse analysera les façons diverses qu’Ousmane Sembène a mélangé la distinction binaire entre victime et oppresseur, femme et opposant, à travers des intrigues, des personnages, des symboles visuels, et des scènes allégoriques dans ses deux derniers films ; Faat Kiné et Moolaadé.

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  4. Niiwam, followed by Taaw

    cape-town Repository record for Niiwam, followed by Taaw (opens in a new tab)

  5. Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia

    … The Beautyful Ones Are Not Yet Born (1968) and Ousmane Sembène’s Xala (1975); chapter four examines how Ritwik Ghatak’s The Cloud-Capped Star (1960) and Buchi Emecheta’s Destination Biafra (1982) situate subjective experience as an intervention into Partition and Nigerian Civil War …

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