Global ETD Search
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Showing 1 to 6 of 6 for “"Op. 5"”.
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Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5
… paper examines the generic aspect of Beethoven's Opus 5 Cello Sonatas (1796) from structuralist and post-structuralist perspectives, and explores the works from these viewpoints in order to gain insights into how the sonatas function as autonomous musical texts rather than historiographic …
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The sacred choral music of Alberto Ginastera
… Alberto Ginastera is remembered primarily for operas, Don Rodrigo, Bomarzo, and Beatrix Cenci. Stuart Pope, editor of Ginastera's works and personal friend, has written in the preface of his catalogue: ""As with his (Ginastera's) contemporary Benjamin Britten, the human voice is perhaps Alberto …
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The French Organ Toccata from 1874 to 1934
… of music while chapter two traces the development of the toccata as a musical form. Chapter three contains the main body of the thesis; here is a detailed discussion of ten organ toccatas by Boellmann, Dubois, Dupre, Duruflé, Gigout, Guilmant, Peeters, Vieme and Widor. The toccatas appear …
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'n stylkritiese studie van Maurice Durufle se orrelwerke
Maurice Durufle (1902 - 1986) developed an interest in the organ and Gregorian chant during his days as a choirboy in the Rauen cathedral. At the Paris Conservatoire he was a student of Gigout and Dukas. He continued his organ study under Vierne and Tournemire. He was appointed organist of St. …
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Regulation of IGF-1 bioactivity by dietary hormones, impact of glucagon and insulin-induced hypoglycemia
… Mechanismen zu characterizieren. In einer doppelblinden, Placebo-kontrollierten Studie wurde Glukagon intramuskulär 13 Patienten mit T1DM (6 Männer / 7 Frauen; [ BMI ] : 24,8 ± 0,95 kg / m2) , 11 übergewichtigen Teilnehmern (OP ; 5/6 ; 34,4 ± 1,7 kg / m2) und 13 gesunden schlanken …
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Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartini
The genre of the variation has been developed a great deal since the first one was published in the sixteenth century. Because a variation’s theme is not typically long, and because it is repeated in different guises many times, it is most important for the composer to create as rich as possible a …