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Showing 1 to 4 of 4 for “"Op. 35"”.
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Early Nineteenth Century German Idealism and Historical Perspectives in Beethoven's Eroica Variations, Op. 35
… tema and tema in Beethoven’s Eroica Variations, Op. 35 mirror the stages of the philosophical thought of German Idealism. The philosophical systems of the post-Kantian generation were housed in the values of the Goethezeit, in which the concept of self was regarded as fundamental for the …
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THE REVIVAL OF THE FIRST SYMPHONY FOR SYMPHONIC BAND OPUS 35 BY JAMES BARNES A CONDUCTOR’S ANALYSIS
… symphony medium. James Barnes’s Symphony No. 1 op, 35 stands as a compelling case study in the maturation of this ensemble form. Originally composed in 1975 and revised in 2024, the work demonstrates both the enduring strengths of the modern wind symphony and the composer’s evolving voice across …
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Violin and voice as partners in three early twentieth-century English works for voice and violin.
… voice. Holst's Four Songs for Voice and Violin, Op. 35 (1917), Vaughan Williams' Along the Field, Eight Housman Songs for Voice and Violin (1927, revised 1954), and Clarke's Three Old English Songs (1924) each utilize the combination of violin and voice. The violin in each is not relegated to …