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Showing 1 to 5 of 5 for “"New Musicology"”.

  1. Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist

    … and practice at large. The debate started in the New Musicology in the 1980s is discussed with special reference to the objectives of analysis. The current state of theoretical and analytical study that has emerged since the 1990s is established as a background from which this study takes its cue. …

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  2. A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino

    … acknowledged definitions of literary theory and musicology), as well as the influence of poststructural semiotics on the so-called ""New Musicology."" The third chapter acts as a broad and thorough introduction to Sciarrino’s general aesthetic principles and approach to musical material. The …

    uiuc Repository record for A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino (opens in a new tab)

  3. Dancing about Architecture in a Performative Space: Discourse, Ethics and the Practice of Music Education

    … I do so because recent critical discourses in musicology and music education suggest talk about music is an inherent part of music, such that if we talk about music at all we must additionally talk about talk about music. But in talking about talk about music we are called upon to talk about …

    toronto-retro Repository record for Dancing about Architecture in a Performative Space: Discourse, Ethics and the Practice of Music Education (opens in a new tab)

  4. Musical exegesis: the Cain and Abel story in Reformation Europe

    One of the basic tenants of “new musicology” is that music forms within the context of its composer’s and performer’s surroundings. This is true for more pragmatic works because their function shapes their form. For liturgical works, the function of the work is key, but so are the established …

    uiuc Repository record for Musical exegesis: the Cain and Abel story in Reformation Europe (opens in a new tab)