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Showing 1 to 19 of 19 for “"National music"”.

  1. Chinese ethnic cultural expression in national music textbooks

    … government describes China as a unified multinational country. On the one hand, Chinese scholars and national policies advocate presentation of cultural diversity in China’s education system; on the other hand, they emphasized that diverse ethnic minorities contribute to a single united …

    bu Repository record for Chinese ethnic cultural expression in national music textbooks (opens in a new tab)

  2. TATAR FOLK MUSIC AND ITS INFLUENCE ON THE FIRST NATIONAL BALLET

    … purpose of this monograph is to introduce Tatar national music to the Western world by focusing on the influence of Tatar folklore on the first national ballet, quite possibly the most beloved and popular musical work of Tatars to this day. The monograph will include a brief discussion of the …

    temple Repository record for TATAR FOLK MUSIC AND ITS INFLUENCE ON THE FIRST NATIONAL BALLET (opens in a new tab)

  3. Computer-Mediated Communication for Survey Research in Music Education

    … to test the feasibility of using the Pepper National Music Network for survey research. The content of the survey was designed to determine: (a) the situations and makeup of the group, (b) what, if any, impact was evident in their programs of certain factors identified by music educators in a …

    uiuc Repository record for Computer-Mediated Communication for Survey Research in Music Education (opens in a new tab)

  4. Music in Urban La Paz, Bolivian Nationalism, and the Early History of Cosmopolitan Andean Music: 1936--1970

    … folkloric versions of rural Andean indigenous musical practices as central emblems of Bolivian national identity. Strikingly, Bolivia is the only country in all of the Americas where the foremost national music prominently and overtly references Amerindian cultural practices---a similar …

    uiuc Repository record for Music in Urban La Paz, Bolivian Nationalism, and the Early History of Cosmopolitan Andean Music: 1936--1970 (opens in a new tab)

  5. THE CHALLENGES OF DEMOCRATIZATION, GLOBALIZATION AND EUROPEAN INTEGRATION FOR MUSIC EDUCATION IN ROMANIA

    … and European integration on the Romanian music education system since the Revolution in 1989 and until the present day. Particular emphasis is placed on government deregulation of public music education, decentralization and re-direction of decision-making to regional school A …

    uwo Repository record for THE CHALLENGES OF DEMOCRATIZATION, GLOBALIZATION AND EUROPEAN INTEGRATION FOR MUSIC EDUCATION IN ROMANIA (opens in a new tab)

  6. You get what you pay for : independent music and Canadian public policy

    … how corporate concentration within the global music industry specifically affects the Canadian music industry's ability to compete for its own national audience as well as audiences worldwide. Federal public policies, regulatory regimes and subsidies are considered within the context of the …

    brock Repository record for You get what you pay for : independent music and Canadian public policy (opens in a new tab)

  7. The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis.

    Although Béla Bartók never visited China, his music was widely performed and accepted in China after 1949 because of his significant contributions to the combination of western compositional techniques and national music elements. Many Chinese composers of different generations have been inspired …

    adelaide Repository record for The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis. (opens in a new tab)

  8. A PERFORMANCE GUIDE AND ANALYSIS OF CARLOS ESCALANTE MACAYA'S DESASOSIEGO FOR SOLO BASSOON, STRINGS, AND PERCUSSION (2017)

    … in Costa Rica, but it has not yet premiered internationally. This monograph offers a detailed analysis of the work and a performance guide with the objective of motivating bassoonists from around the world to learn and program the work. The analysis studies the work's musical form, harmonic …

    temple Repository record for A PERFORMANCE GUIDE AND ANALYSIS OF CARLOS ESCALANTE MACAYA'S DESASOSIEGO FOR SOLO BASSOON, STRINGS, AND PERCUSSION (2017) (opens in a new tab)

  9. Music in Haiti: An Annotated Bibliography and Research Guide

    The music of Haiti draws upon many sources: Haitian folk traditions, traditional Western music, and the musics of Africa. Likewise, scholarly writing about Haitian music comes from an array of disciplines including ethnomusicology, musicology, sociology, and cultural anthropology. Generally, the …

    texas-state Repository record for Music in Haiti: An Annotated Bibliography and Research Guide (opens in a new tab)

  10. Experiencing Korean pansori as a Western-style singer : a vocal interpretation of Dongjin Kim's operas based on Kim's shin-chang-ak

    P’ansori is a unique form of Korean traditional music in the opera genre. It is known for its distinctive rhythm, vocal timbre, key, and texture. Musical pioneer Dongjin Kim (1913-2009) masterfully blended authentic Korean music with Western style music most notably in two operas that retained …

    ballstate-thes Repository record for Experiencing Korean pansori as a Western-style singer : a vocal interpretation of Dongjin Kim's operas based on Kim's shin-chang-ak (opens in a new tab)

  11. Cultural Resistance: An Ethnographic and Phenomenological Case Study of Palestinian Music Educator Mohamed Fadel's Life and Work

    … the lived experiences of pioneering Palestinian music educator Mohamed Fadel (b. 1956-). Instrumental in establishing in 1986 the first music conservatory in Jordan, named the National Music Conservatory, he subsequently developed the string and outreach programs of the Edward Said National

    brock Repository record for Cultural Resistance: An Ethnographic and Phenomenological Case Study of Palestinian Music Educator Mohamed Fadel's Life and Work (opens in a new tab)

  12. Piano Teaching in China During the Twentieth Century

    … reviews the history and influence of western music and piano in China, the method and educational system of piano teaching as well as the aspects of changes and development in China in the twentieth century. Beginning with the century, along with the development of new culture and new music in …

    uiuc Repository record for Piano Teaching in China During the Twentieth Century (opens in a new tab)

  13. Traditions of song: Considering Moore’s Irish Melodies in relation to the songs of Robert Burns

    … methodology between the two songwriters and the national music traditions of which their songs form a part. The introduction sets out observations and patterns in criticism on both Moore and Burns as well as offering a bibliographic overview of their lives and musical development. …

    qu-belfast Repository record for Traditions of song: Considering Moore’s Irish Melodies in relation to the songs of Robert Burns (opens in a new tab)

  14. The history and heritage of the Pinghu Pipa School

    … multi-method approach, combining historical ethnomusicology, archival analysis of critical scores, digital audio analysis of performance parameters (e.g., pitch, dynamics, tempo) and ethnographic fieldwork with contemporary inheritors. The analysis is structured around five pivotal historical …

    cork Repository record for The history and heritage of the Pinghu Pipa School (opens in a new tab)

  15. The influence of Delton Lynol Alford's life and work on the musical heritage of the Church of God

    … first, an overview of the education, musical advancements, ministry, and leadership roles of Delton Lynol Alford, and how his work and theological beliefs influenced the Church of God's evangelical church music heritage; second, a review of selected compositions and other writings, …

    sbts Repository record for The influence of Delton Lynol Alford's life and work on the musical heritage of the Church of God (opens in a new tab)

  16. A Cultural Study Of Two-Tone In The Socio-Political And Economic Context Of The 1970s

    My thesis concerns Two-tone music which emerged in the late 1970s and achieved the peak of its popularity around 1980. The three bands I focused on are The Specials, The Selecter and The Beat, all from the West Midlands and all with a black and white line-up, which was unusual at the time. I …

    cent-lancashire Repository record for A Cultural Study Of Two-Tone In The Socio-Political And Economic Context Of The 1970s (opens in a new tab)

  17. The music technologist as collaborator in the contemporaneous co-creation of audio artefacts

    … been reviewed in both broadsheet and specialist music press outlets, received nominations for and won national music awards and contributed significantly to the steadily building success of the artists I have collaborated with. Central to the notion of the contemporaneous co-collaborator is a …

    salford Repository record for The music technologist as collaborator in the contemporaneous co-creation of audio artefacts (opens in a new tab)

  18. Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene

    … component of Texas history, culture and music. Their vibrant musical heritage holds a central position in the Texas music narrative and by extension permeates the regional music of the Southwest and national music of the United States. Contemporary Texas-Mexican artists rely on electric …

    texas-state Repository record for Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene (opens in a new tab)

  19. What does it mean to "stand on guard for thee"? Detuning the Canadian national anthem

    lethbridge