Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 17 of 17 for “"N Celfyddydau gweledol (Cyffredinol) Am ffotograffiaeth , gweler TR"”.
-
Interfacing the screenic and painted surface: an artistic research project asking what can painting and drawing practice reveal of the contemporary practices and perceptions of touchscreen technology
… screen were emulated using oil paint, and, 2) 'Trace' (2019), a series of metalpoint drawings depicting cracked screens made using gold, silver, aluminium, nickel and copper, these metals being both historical drawing materials and those used as smartphone components. The studio process offered …
-
Depths of the unreal
It is difficult to define illustration as being illustration without the inclusion or accompaniment of language Illustration engages in an inter/intra relationship with language inter being that which is between, among, or amidst, and intra being inside or within Illustration becomes, essentially, …
-
Can photography describe its own event? : the dissolving of the classical perspective in the concept of photography
… in the service of facts and positivism contribute to a new world of speculative uncertainty. To describe its own event, photography must partake of difference and temporal paradigms such as a performative process-seriality. It must perceive itself as being an immanent practice consisting of …
-
Testimony Knowledge: Indigenous Research of Land, Story and Visual Narrative/Filmmaking in Northeast China
This dissertation introduces Indigenous theories to the study of ethnic minority cultures in Northeast China, aiming to develop a localized Indigenous research paradigm. It addresses two core questions: How have the identity and cultural expressions of ethnic minorities in Northeast China been …
-
Approaching the Formless: the non-figurative art of the Hindu traditions and its relevance to a contemporary arts practice
… the non-figurative imagery of the Vedic and Tantric traditions through an Arts Practice as Research methodology. The research engages with traditional arts practices, and considers whether the practice of copying sacred artworks is able to inform a contemporary arts practice. The research …
-
‘How Does it Feel?’: Masculinity, Transformation and Structures of Feeling in British Television in the 1970s and 1980s
This thesis examines representations of masculinity in British television of the 1970s and 1980s which reveal a structure of feeling around masculine discourses of the period. It questions the ease of transformative change in gender identities and gender relations in terms of masculine performance …
-
New visions / new insights : a critical examination of the Victorian photography album 900
… of the National Library of Wales. Having been attracted to this album, because of its disparity with the other albums in the collection, and therefore the vagaries of the contents, I was determined to discover more about this intriguing collection of images. The displacement of an image from its …
-
A critical review of the current portrayal of Metamorphosia captured in print
… resulting from congenital, degenerative or traumatic eye conditions, can significantly impact upon an individual’s quality of life, particularly reading activities. Reading problems associated with metamorphopsia are reported in literature as well as in pictorial depictions highlighting …
-
Political history TV dramas and the representation of Confucian China : the regulation, emergence and politics of a new genre
… out to propose an alternative methodological framework for investigation of the emergence, development and significance of a distinctive television genre categorised as ‘political history TV drama’ (PHTD), produced in Mainland China since the 1980s. Situating the genre in its historical and …
-
The decline in representations of the Virgin as mother in early post-reformation iconography.
… which incorporated all the senses, while at the same time using this physicality as a means of penance and suffering as in the traditions of imitatio Christi. The decline in the representation of Mary’s physical motherhood develops alongside a general growing rejection of the human body as imago …
-
Landscape Aesthetics in Practice: A critical enquiry into the development and use of an arts practice as a constructive intervention within the context of landscape change, community action, Green Infrastructure planning and delivery and Landscape Character Assessment processes.
… The research considers Felix Guattari's ideas of transversality, developing an ethicoaesthetic paradigm as a critical framework, taking into account the work of relevant practitioners and specifically Grant Kester's arguments concerning reciprocal creative labour. The framework is developed …
-
The Vanishing Point The Relevance of Traditional Art Methodologies to Digital Content Creation Pipelines
Available within document.
-
Human Theatre
Human Theatre III's photography series of juxtaposition of space is a confluence of ideas and a group of loose practices. It does not have a single point of origin, a clear meaning, or a linear narrative: Instead, it uses a series of fragmented metaphors and metonymy phrases to solve the problem of …
-
How Time Becomes (Mise En) Obsolete
Abstract (My abstract is purposely vague and enigmatic, this is to prepare the viewer for the work. I do not give too much away, i want the viewer to enter the Mise En Obsolete with as few pre suppositions as possible in order for them to form their own of ideas of what the work is about, without …
-
Changing narratives of minority peoples' identities in Welsh and Basque film
… of identity have shifted from long-standing ‘traditional’ essentialist versions centred on heteropatriarchy and collective, stable narratives of identity; through a transitional stage featuring the reversal of dualisms on which the ‘traditional’ is grounded and narratives based much more on …
-
The Creative Art Journey: An artist facilitator's autoethnographic exploration of the specificities of place, culture, and tradition through workshop-led extra-curricular art learning in Wales.
The thesis explores the dynamic between the artist as facilitator and participants in extracurricular art workshops. A personal perspective examines whether the Welsh context allows for more creative freedom in undertaking art workshops. The thesis emphasises the role of the artist facilitator in …