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Showing 1 to 5 of 5 for “"Musical criticism"”.
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French Musical Criticism Between the Revolutions (1830-1848)
Made available in DSpace on 2014-12-09T19:39:48Z (GMT). No. of bitstreams: 1 6511794.pdf: 15943869 bytes, checksum: 2db4f8461cf365dad891bfdab7c3fdf6 (MD5) Previous issue date: 1965
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A search for a universally valid criterion as a basis for musical criticism
… an impartial investigation into the fields of musical history and of musical criticism, and to allow such facts as may be ascertained to speak for themselves. Any conclusions reached will be only such as actual facts appear to warrant or to justify.</p>
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Musical knowledge, material practices and the body politic in eighteenth-century France
… eighteenth-century France, music was everywhere. Musical criticism and scores filled journals and newspapers, new concert houses and music shops spread across Paris, most authors addressed music in their writings, and pre-revolutionary speeches provided musical metaphors to conjure social and …
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The Music of Rene Drouard de Bousset (1703-1760): a Source Study and Stylistic Survey, with Emphasis on His Sacred Output : a thesis submitted to the New Zealand School of Music in fulfilment of the degree of Master of Music in Musiology
… reprints and corrections. Historical context and musical style are also discussed. Particular emphasis is given to Bousset's sacred music in the French language two volumes of sacred cantatas and eight settings of Odes sacrees by Jean-Baptiste Rousseau - and its place within the French tradition …