Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 7 of 7 for “"Music Recording"”.
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Exploration and Promotion of Colombian Music: Recording Project for Clarinet and Guitar Ensemble
… doctoral project explores and promotes Colombian music for clarinet and guitar, focusing on both the Andean and Caribbean regions. The study includes the recording featuring nine carefully selected works: two newly commissioned compositions, three traditional Colombian pieces (two historically …
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The economics of copyright, parallel imports and piracy in the music recording industry
… Act 1968 to allow parallel imports of sound recordings. This thesis begins with an investigation of the economics of the music recording industry, encompassing the nature of demand and supply of sound recordings, profit maximising price strategies for a multi-product firm, and an …
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"Roll over Beethoven" : the reaction of classical music recording divisions to the continuing emergence of a consumer culture in America between 1956 and 1982.
As the musical world looks at decreasing sales of classical music recorded on solid media, alarm bells sound. Why is there such a disparity between sales of classical recordings and those of popular music? This study seeks to understand if the situation in today's record market is a result of …
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Same song, new dance: analyzing market structure and competition in the digital music aggregation industry
… examines an innovative new market segment in the music recording industry: digital music aggregation. Digital music aggregators are music distributors that directly connect artists, any creator of musical content, to digital music vendors, online music stores such as iTunes or digital music …
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Exploring Low Brass Recording Techniques
<p>The modern day art and science of music recording evolved through a constant process of trial and error. Although many of these techniques are well-documented and commonplace in modern recording studios, most of them are generalized recording techniques used in the popular and classical music …
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The music technologist as collaborator in the contemporaneous co-creation of audio artefacts
… my practice technically repeatable if desired. Recordings embody knowledge, arrived at through constantly evolving methodologies which synthesise techniques spanning over one hundred years of technical and creative practice. My own practice is broad (in terms of both genre and breadth of …
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Sounding Elsewhere, Sounding Everywhere: Listening to the Background from Motown and Beyond
… and the position of Black women in popular music. The project questions the sonic marking of the background vocal along racial and gendered categories arguing how the Black female voice as background, backing, and back-up is a construction produced in order to maintain hierarchical …