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Showing 1 to 20 of 31 for “"Music Culture"”.

  1. Understanding the Relationship Between Black Chicago Youth and Chicago Drill Music Culture

    … most of us. The explosion of social media and music/video streaming platforms has created a means by which Black Chicago youth capture the realities of their world. The virtual world of likes, shares, and hashtags has created an algorithm, leading viewers a few short clicks away from …

    national-louis Repository record for Understanding the Relationship Between Black Chicago Youth and Chicago Drill Music Culture (opens in a new tab)

  2. Music Culture and the Self-Presentation of Indigenous Musicians on Social Media in Contemporary Taiwan

    … to provide an indigenous perspective of popular culture in Taiwan as a means to re-examine Taiwanese contemporary identity. In-depth qualitative interviews and digital ethnography were adopted to collect data about indigenous musicians' self-presentation on social media. Being an indigenous …

    westminster Repository record for Music Culture and the Self-Presentation of Indigenous Musicians on Social Media in Contemporary Taiwan (opens in a new tab)

  3. Las raíces de la ira: Fernando Garcia’s Tone Poem & Chilean Politics in Music Culture

    Discussing Western Art Music in context of political discourse is not unique to the conception of this document. In contrast, Chile and its symphonic cultural production remains relatively mute within the Classical canon. In the 1960s and 1970s, Chilean political discourse & musical development in …

    ttu Repository record for Las raíces de la ira: Fernando Garcia’s Tone Poem & Chilean Politics in Music Culture (opens in a new tab)

  4. THE DIGITALIZATION OF MUSIC CULTURE: A CASE STUDY EXAMINING THE MUSICIAN/LISTENER RELATIONSHIP WITH DIGITAL TECHNOLOGY

    … available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing nature of the relationship between artists and audiences new technology has engendered. Through in-depth interviewing, focus group interviewing, and …

    temple Repository record for THE DIGITALIZATION OF MUSIC CULTURE: A CASE STUDY EXAMINING THE MUSICIAN/LISTENER RELATIONSHIP WITH DIGITAL TECHNOLOGY (opens in a new tab)

  5. Ballads, songs and snatches: The appropriation of and responses to folk song and popular music culture in the nineteenth century

    … to folk song and some aspects of popular musical culture were absorbed into the polyphony of discourses in the realist prose of the nineteenth century, and explores the implications of the various transformations that occurred during this process, with an emphasis on the representation of …

    oxford-brookes Repository record for Ballads, songs and snatches: The appropriation of and responses to folk song and popular music culture in the nineteenth century (opens in a new tab)

  6. Tradition, modelling, mechanisms: research on the path of intangible cultural heritage protection for fishermen's music culture in northern Jiangsu

    … trends and preservation strategies of the culture of fishermen’s groups in northern Jiangsu in the context of Intangible Cultural Heritage. The paper selects three main projects in the cultural life of these fishermen, namely, the fishermen’s haozi, which reflects and expresses their basic …

    cork Repository record for Tradition, modelling, mechanisms: research on the path of intangible cultural heritage protection for fishermen's music culture in northern Jiangsu (opens in a new tab)

  7. An Investigation of the Relationship between Popular Music and Analytic Cubist Paintings in Prewar Paris

    … between Analytic Cubist paintings and popular music culture in pre-World War I Paris. In particular, it focuses on popular music, performance, song lyrics, music iconography and its connected poster advertising as each relates to the Analytic Cubist paintings of Braque and Picasso. During the …

    vcu Repository record for An Investigation of the Relationship between Popular Music and Analytic Cubist Paintings in Prewar Paris (opens in a new tab)

  8. "Producing ""Local"" Repertoire: Czech Identity, Pop Music, and the Global Music Industry"

    … creativity relate to the corporate production of music transnationally. Utilizing a multi-sited ethnography to examine the relationships between the Bertelsmann Music Group (Prague, London and New York) and Czech pop/rock music culture, it illuminates the factors that inform their structure, …

    uiuc Repository record for "Producing ""Local"" Repertoire: Czech Identity, Pop Music, and the Global Music Industry" (opens in a new tab)

  9. Ypsilanti: A cultural assessment

    <p>This research examines the culture of Ypsilanti, Michigan. Participants consisted of four leaders and five residents, all long-term citizens of Ypsilanti. Participants were interviewed and first asked to describe the general culture of Ypsilanti, then asked to comment on the potential presence …

    emich Repository record for Ypsilanti: A cultural assessment (opens in a new tab)

  10. Music, Politics and Liquid Modernity : How Rock-stars Became Politicians and Why Politicians Became Rock-stars.

    As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest …

    lancaster Repository record for Music, Politics and Liquid Modernity : How Rock-stars Became Politicians and Why Politicians Became Rock-stars. (opens in a new tab)

  11. Narratives in music: Schelmo, Hebraic Rhapsody for Cello and Orchestra

    … Cycle.” They represented a new, distinctive musical language, in which Bloch combined eastern and western music traits. Schelomo, Hebraic Rhapsody for Cello and Orchestra (1915-16) was the last composition from the cycle. It showed mastery of a style Bloch had been developing since his …

    lsu-thes Repository record for Narratives in music: Schelmo, Hebraic Rhapsody for Cello and Orchestra (opens in a new tab)

  12. Toward a Postmodern Avant-Garde: Labour, Virtuosity, and Aesthetics in an American New Music Ensemble

    … beliefs and labour practices of the American new music ensemble eighth blackbird (lower-case intentional). Drawing on ethnographic research conducted with the ensemble for the past six years, I show how the ensemble responds to specific cultural pressures endemic to the classical music scene, its …

    uwo Repository record for Toward a Postmodern Avant-Garde: Labour, Virtuosity, and Aesthetics in an American New Music Ensemble (opens in a new tab)

  13. "Black, not grey : Ankara rocks!" : a creative practice-based investigation of the Ankara rock music scene of the 1980s and the 1990s through documentary filmmaking

    … a substantial influence on the Turkish popular music culture, which is an outcome of a strong rock music scene in Ankara, especially in the 1980s and the first half of the 1990s. This research project is composed of two components: audiovisual and written. The audiovisual component is the feature …

    salford Repository record for "Black, not grey : Ankara rocks!" : a creative practice-based investigation of the Ankara rock music scene of the 1980s and the 1990s through documentary filmmaking (opens in a new tab)

  14. What Does Music Have To Do With It? - A Conceptual Framework For Designing Music Performance Centered Projects Embedding Regenerative Sustainability Practices

    … its ecological impact. There is potential for musicians and the music industry to play a proactive role in advancing regenerative sustainability through community-serving performances. This study investigated how music performances can be integrated with regenerative principles to foster …

    royalroads Repository record for What Does Music Have To Do With It? - A Conceptual Framework For Designing Music Performance Centered Projects Embedding Regenerative Sustainability Practices (opens in a new tab)

  15. THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION

    … the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have …

    temple Repository record for THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION (opens in a new tab)

  16. Rebuilding a Culture: Studies in Italian Music after Fascism, 1943-1953

    … vulnerability within Italian contemporary music. Yet by 1953, dodecaphony had swept the artistic establishment, musical theatre was beginning a renaissance, Italian composers featured prominently at the Darmstadt Ferienkurse, Milan was a pioneering frontier for electronic composition, and …

    whiterose Repository record for Rebuilding a Culture: Studies in Italian Music after Fascism, 1943-1953 (opens in a new tab)

  17. Green Grass and Dirty Old Sidewalks: Evolving Images of the Rural and Urban in Honky-Tonk Country Music

    A common theme prevails in country music that explores the antagonist relationship between the country and the city. This rural vs. urban theme is very often used as a backdrop for not only espousing the genre’s idealizations of its imagined rural roots, but also serves as a backdrop for exploring …

    uiuc Repository record for Green Grass and Dirty Old Sidewalks: Evolving Images of the Rural and Urban in Honky-Tonk Country Music (opens in a new tab)

  18. Cumbia Tejana: Synthesis Towards Unification in the Tejano Continuum

    … Cumbia into the repertoire of the ensembles, music-cultures, and dance traditions of South Texas. Musically, Cumbia Tejana is not one interpretation of the Cumbia, but many. The Cumbia's dance and music traditions have deep ethnic roots that initially began as a genre from the …

    tdl Repository record for Cumbia Tejana: Synthesis Towards Unification in the Tejano Continuum (opens in a new tab)

  19. Music and community development: perspectives on relationships, roles and structures in music in community

    This thesis explores sites where music occurs in community in Melbourne’s West by examining perspectives around the various inherent relationships, roles and structures involved. It does so through a prism of the researcher’s own collaborative work with others in educational, professional and …

    vu-aus Repository record for Music and community development: perspectives on relationships, roles and structures in music in community (opens in a new tab)

  20. “When Christ and grime combine”: Gospel grime cultures in contemporary London

    Gospel grime is a Black-British religio-musical subgenre which emerged in London at the turn of the century. As a Black-British, street-credible musical brand of Christianity emerging from within grime musical culture, the manifestation of the genre reflects the dual identity formation of its …

    wlv Repository record for “When Christ and grime combine”: Gospel grime cultures in contemporary London (opens in a new tab)

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