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Showing 1 to 2 of 2 for “"Music -- Italy -- Venice -- 17th century -- History and criticism."”.
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A history of the Venetian sacred solo motet (c. 1610--1720).
In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal music. Several of these, including the Ghirlanda sacra (Gardano, 1625) and Motetti a voce sola (Gardano, 1645) contain sacred solo …
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Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Although music publishing in Italy was on the decline around the turn of the seventeenth century, Venice emerged as one of the most prolific publishing centers of secular song in Italy throughout the first three decades of the 1600s. Many Venetian song collections were printed with alfabeto, a …