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Showing 1 to 20 of 36 for “"Mulvey"”.

  1. Social Loafing Construct Validity in Higher Education: How Well Do Three Measures of Social Loafing Stand Up to Scrutiny?

    … by George (1992), a 13-item instrument by Mulvey and Klein (1998), and a 22-item instrument by Jassawalla, Sashittal, and Malshe (2009) for a total of 45 items that were compiled into a single instrument with which data were collected, correlated, and factor analyzed.</p> <p>One hundred and …

    usfca Repository record for Social Loafing Construct Validity in Higher Education: How Well Do Three Measures of Social Loafing Stand Up to Scrutiny? (opens in a new tab)

  2. The Real and the Digital: Female Agency and Resisting the Male Gaze in Lynn Hershman Leeson’s Works

    … the works within the context of Laura Mulvey’s seminal text “Visual Pleasure and Narrative Cinema,” this paper will attempt to elucidate how Hershman Leeson’s works have engaged with the male gaze and its social and cultural implications on female identity in visual spheres. This …

    cuny Repository record for The Real and the Digital: Female Agency and Resisting the Male Gaze in Lynn Hershman Leeson’s Works (opens in a new tab)

  3. Power and pleasure : the politics of film analysis and feminist community media education

    … (Segal, Vance and Riley), feminist film theory (Mulvey and Kuhn) and discussions of media education (Clarke and Masterman), with a view to developing a description of spectatorial relations which may inform community-based media education programmes. Central to such a formulation is a …

    cape-town Repository record for Power and pleasure : the politics of film analysis and feminist community media education (opens in a new tab)

  4. Temporality, Spatiality and Looking in Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) and Agnès Varda's Cléo from 5 to 7 (1962)

    … the structuring of looks identified by Laura Mulvey in her article 'Visual Pleasure and Narrative Cinema'. In the present work, I argue that the use of real time in the films Jeanne Dielman and Cl&eacute;o from 5 to 7 allows these works to create an alternative viewing experience, eliminating …

    unm Repository record for Temporality, Spatiality and Looking in Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) and Agnès Varda's Cléo from 5 to 7 (1962) (opens in a new tab)

  5. Winged Women: Stewardesses, Sexism, and American Society

    … Subjected to what feminist theorist Laura Mulvey called “the male gaze,” in which women are viewed as objects who exist for the viewer’s pleasure, they were selected for their youth and beauty and trained to serve. Regulations about height, weight, age, and marital status, ensured that …

    dominican Repository record for Winged Women: Stewardesses, Sexism, and American Society (opens in a new tab)

  6. How do I look? Viewing, embodiment, performance, showgirls, and art practice.

    … the significant works of John Berger and Laura Mulvey, has reduced the complexity in how the showgirl is seen. While the discursive contexts in which Mulvey and Berger wrote allowed for reflexive accounts of the gaze, their ideas have circulated so widely and forcefully as to become monolithic; …

    sheffield-hallam Repository record for How do I look? Viewing, embodiment, performance, showgirls, and art practice. (opens in a new tab)

  7. <i>Sucker Punch</i> and the Political Problem of Fantasy to Female Representation

    … about women and, using the work of Laura Mulvey, Slavoj Zizek, Jeffrey Brown, Angela McRobbie and Rosalind Gill, among others, I explore the way the film gives important insight into the limits of successfully emptying fantasy of pleasure. I divide the film's engagement with pleasure into …

    ohiolink Repository record for <i>Sucker Punch</i> and the Political Problem of Fantasy to Female Representation (opens in a new tab)

  8. Lebanese Cinema as Resistance: Nadine Labaki’s Rejection of Orientalism and Reclamation of Female Identity

    … of Arab Lebanese identities. Furthermore, Laura Mulvey’s Visual Pleasure and Narrative Cinema is examined in relation to Labaki’s films, as I argue the films resist stereotypical representations of women that objectify them, and as such, is contributing to feminist filmmakers before her, and to …

    queens Repository record for Lebanese Cinema as Resistance: Nadine Labaki’s Rejection of Orientalism and Reclamation of Female Identity (opens in a new tab)

  9. Identity, Desire and Spectatorship: An Examination of Germaine Dulac’s <em>La Coquille et le Clergyman</em>

    … by many feminist film theorists, including Laura Mulvey, Kaja Silverman and Mary Ann Doane, the theories presented center on films directed either by male directors or female directors since the 1970's. Very little has been written about films directed by women in the 1920's, including La Coquille …

    usf Repository record for Identity, Desire and Spectatorship: An Examination of Germaine Dulac’s <em>La Coquille et le Clergyman</em> (opens in a new tab)

  10. A nők megjelenítése a Legjobb film Oscar-díját 1970-2005 között elnyert filmekben = The Representation of Women in Films Winning the Oscar Best Picture Award from 1970 to 2005

    … A pszichoanalitikus feminista filmelméletek (Mulvey [1975], [1989], Doane [1999], Lauretis [2000]) szerint a filmek olyan nő- és férfireprezentációkat hoznak létre, amelyek egyetemes érvényű pszichológiai kategóriákkal vannak összefüggésben: vággyal, félelemmel, szorongással, komplexusokkal – …

    corvinus Repository record for A nők megjelenítése a Legjobb film Oscar-díját 1970-2005 között elnyert filmekben = The Representation of Women in Films Winning the Oscar Best Picture Award from 1970 to 2005 (opens in a new tab)

  11. Films Lost in the Cosmos: Radicalism and the Reception of Jean-Luc Godard's Movies

    … as diverse as Richard Roud, Stephen Heath, Laura Mulvey, and David Bordwell have argued that the formal innovations of Godard's films jolt spectators out of the reactionary thrall of Hollywood form, resulting in a politically progressive shift in the relationship between spectators and filmic …

    uiuc Repository record for Films Lost in the Cosmos: Radicalism and the Reception of Jean-Luc Godard's Movies (opens in a new tab)

  12. Reactive oxygen species and mitochondrial metabolism in acute myocardial ischaemia reperfusion injury: measurement and modulation

    Reactive oxygen species (ROS) are known to play a central role in the pathology of acute myocardial infarction (AMI), where their production is driven by the metabolism of the citric acid cyclic intermediate succinate that accumulates during ischaemia. This is a major driver of damage upon …

    cambridge Repository record for Reactive oxygen species and mitochondrial metabolism in acute myocardial ischaemia reperfusion injury: measurement and modulation (opens in a new tab)

  13. Self-report Measures of Psychopathic and Schizotypal Personality Characteristics: A Confirmatory Factor Analysis of Characteristics of Antisocial Behavior and Hypothetical Psychosis-Proneness in a College Sample

    … Lynam, Widiger, & Leukefeld, 2001; Skeem, Mulvey, & Grisso, 2003; Widiger & Lynam, 1998;). Similarly, schizotypal characteristics appear to represent several distinct factors. Confirmatory Factor Analysis by Raine & Benishay (1995) determined that the nine subscales of the Schizotypal …

    montana-tech Repository record for Self-report Measures of Psychopathic and Schizotypal Personality Characteristics: A Confirmatory Factor Analysis of Characteristics of Antisocial Behavior and Hypothetical Psychosis-Proneness in a College Sample (opens in a new tab)

  14. Self-report Measures of Psychopathic and Schizotypal Personality Characteristics: A Confirmatory Factor Analysis of Characteristics of Antisocial Behavior and Hypothetical Psychosis-Proneness in a College Sample

    … Lynam, Widiger, & Leukefeld, 2001; Skeem, Mulvey, & Grisso, 2003; Widiger & Lynam, 1998;). Similarly, schizotypal characteristics appear to represent several distinct factors. Confirmatory Factor Analysis by Raine & Benishay (1995) determined that the nine subscales of the Schizotypal …

    montana Repository record for Self-report Measures of Psychopathic and Schizotypal Personality Characteristics: A Confirmatory Factor Analysis of Characteristics of Antisocial Behavior and Hypothetical Psychosis-Proneness in a College Sample (opens in a new tab)

  15. Mediating Histories: an exploration of audiences and exhibitions in London’s Institute of Contemporary Arts (1949-1986)

    … and spectatorship by Griselda Pollock and Laura Mulvey. This is grounded in the particular focus given to technology and temporality, and spectatorship and the screen in theoretical writings on the history of contemporary art. The research project contributes knowledge to exhibition histories, …

    middlesex Repository record for Mediating Histories: an exploration of audiences and exhibitions in London’s Institute of Contemporary Arts (1949-1986) (opens in a new tab)

  16. Feminist Theory and Postwar American Drama

    … and 1980s. And from feminist film theory, Laura Mulvey's early ideas on the representation of women from "Visual Pleasure and Narrative Cinema" are applied to four plays from the 1980s. In concluding, I combine ideas from Chodorow and Mulvey to do a brief, illustrative analysis of My Sister In …

    cuny-grad Repository record for Feminist Theory and Postwar American Drama (opens in a new tab)

  17. Radiant Sites: Projection and the Mobile Spectator in Contemporary Moving-Image Installations

    … theory since the 1970s by authors such as Laura Mulvey, Christian Metz, and Mary Ann Doane. Furthermore, the “suture” theory of Kaja Silverman and others offers a link between classical Hollywood editing conventions and the spatial orientation of the gallery spectator. From these theorists, I …

    bryn-mawr Repository record for Radiant Sites: Projection and the Mobile Spectator in Contemporary Moving-Image Installations (opens in a new tab)

  18. Gazing at Other Animals: A Deconstruction of the Anthropocentric Gaze in the Representation of Apex Predators

    … by British feminist film theorist Laura Mulvey to consider the impact of a subjugating gaze on perceptions of the non-human animal in films and wildlife documentaries. These perspectives will be elucidated and applied in three case studies: The Monstrous Other, The Anthropomorphic Other …

    uwtsd Repository record for Gazing at Other Animals: A Deconstruction of the Anthropocentric Gaze in the Representation of Apex Predators (opens in a new tab)

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