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Showing 1 to 17 of 17 for “"Motet"”.
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A modern edition and guide to motet O mysterium venerabile and motet Sacris solemniis by Henry Du Mont (1610-1684)
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The Motet as a Representation of Sociocultural Value Circa 1500
This study develops a conceptual idea of the motet about the year 1500. Starting with terms and categories expressed in the only known definition of the genre that survives from that period, it applies an anthropological distinction between use and function, as embodied in a structuralist-derived, …
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A history of the Venetian sacred solo motet (c. 1610--1720).
… the Ghirlanda sacra (Gardano, 1625) and Motetti a voce sola (Gardano, 1645) contain sacred solo motets by some of the best Italian composers of the period. Venetian composers were at the forefront of the move toward the smaller concertato forms and, to fulfill various needs of church …
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Formes types dans le motet du XIIIe siècle: étude d’un processus répétitif. Tome 1 & 2
… restreinte aux structures répétitives dans le motet du XIIIe siècle, renvoyant l’image d’un genre qui se situerait à contre-courant des pratiques compositionnelles de la polyphonie parisienne et des genres monodiques contemporains. Cette étude propose l’analyse du processus compositionnel de …
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Matthaeus Pipelare's "Fors seulement chanson (II)" and its related motet and mass performance editions and commentary
… and four French chansons, one doubtful), nine motets, nine Masses, and a Credo. From the large scale Masses to the exquisite gem of the Fors seulement (II) chanson, Pipelare's music exhibits masterful design and an engaging quality for both performer and listener. He and his compositions …
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Thymiaterium Musicale (1625) by Andreas Rauch
… Musicale (1625) contains twenty-five motets scored for from four to eight voices with basso continuo. This collection of motets has never been transcribed and printed in an edition accessible to modern performance. The primary focus of this thesis was the transcription of the nine …
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PHILIPPE ROGIER (c.1561-1596): MISSA INCLITA STIRPS JESSE. A CRITICAL AND PERFORMING EDITION WITH PERFORMANCE COMMENTARY
… five, and is based on musical material in the motet Inclita stirps Jesse by Jacobus Clemens non Papa (c. 1510-15 – c.1556-6). Rogier’s choice and use of musical material from the motet (published in 1549) are discussed in the dissertation. The Edition: The edition is made from a microfilm copy …
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Text Painting In Significant Verses of Selected Settings of Psalm 116 Taken From Angst Der Hellen Und Friede Der Seelen, A Collection of Sixteen Motets On Psalm 116 Compiled by Burckhard Grossmann (Jena, 1623)
… Grossmann's faith and displayed the conservative motet style of the Renaissance alongside the progressive compositional practices of the early Baroque. This document examines stylistic influences and instances of text painting of significant verses in five of the Psalm 116 settings - those by …
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“I wyl poure out the wordes of sorrowe”: politics in the Protestant and Catholic settings of Psalms 51 and 79 during the English Reformation
… an easy means of memorizing the Psalms. Latin motets, on the other hand, especially those circulating in copied manuscript collections in the latter half of the sixteenth century, reflected the political situation of English Catholics who were legally unable to worship openly by incorporating …
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Sonority and Linear Structure in Three Early Works of Olivier Messiaen
… three early works of Olivier Messiaen: the motet <em>O sacrum convivium</em> (1937), "La colombe" from the eight piano preludes (1928-9), and the closing passage of "La fiancée perdue" from the song cycle <em>Trois méodies</em> (1930). All three works exhibit varying degrees of tonal …
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Live Sampling in Improvised Musical Performance: Three Approaches and a Discussion of Aesthetics
… entitled Zur Elektrodynamik bewegter Musiker, Motet, and Gamepad Sampler. These programs vary in the degree of required interaction and in the kind of user control. They are each studies in imitative counterpoint through live sampling, with an approach seeking elegance before solutions. Because …
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Te, Joseph, celebrent: An examination and guide to Manuel de Sumaya’s works for the feast of St. Joseph at the Cathedral of Mexico City, 1714-1715
… Cathedral of Mexico City. It looks at his Mass, motet, and hymn through a Spanish and Novohispanic lens in order to situate Sumaya’s music making in its national and viceregal music context. The music is unpublished, un-transcribed, or otherwise difficult to find in performance editions, so it …
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Selected choral works from Musica sacra by Heitor Villa-Lobos : a performance edition with critical notes and commentary
… collection of twenty-three unaccompanied motet-style pieces, composed throughout Villa-Lobos's lifetime. Limited availability to many of these pieces has resulted in a paucity of programming of this music by choral conductors, as well as a lack of understanding of its place in his …
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Mozart's Late Liturgical Compositional Method: The Mass in C minor, K. 427 and the Mass Movement Fragments, 1779-1791
… Mass in C minor, K. 427, the Requiem and the motet Ave verum corpus, Mozart’s liturgical compositions have been traditionally consigned to the Salzburg years; however, supported by more than thirty years of research contributed by Wolfgang Plath, Alan Tyson, Monika Holl and Ulrich Konrad, five …
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Intonational strategies in ensemble singing
… strategy are elaborated. An analysis of the motet Ave Veruin Corpus, by Mozart, as the chosen music piece for experimental work is carried out. Chapter 11ree deals with the delineation of experimental procedures for the evaluation of the intonational strategies adopted by singers in the …
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Creating Clausulae at Notre-Dame-de-Paris: A Study of Compositional Processes and Techniques
… of the relationship between the clausula and the motet, less attention has been afforded to the compositional processes and musical techniques that underpin the creation of this repertory. This dissertation attempts to address such a gap. Through an analysis of clausula settings preserved in the …
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Munich, Bayerische Staatsbibliothek, handschriften-Inkunabelsammlung, Musica Ms F (1509-1525): an examination of the repertorial, codicological, and political significance of a unique source of parody masses, with a modern edition of the manuscript and its models
Part I of the dissertation is a comprehensive study of an important music manuscript dating 1509-25 in the Bavarian State Library in Munich (MunBS F), one of a collection of sixty-one manuscript sources of polyphony known as the “Alamire complex”, produced in the Low Countries in the early …