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Showing 1 to 6 of 6 for “"Monique Wittig"”.
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De l'intertextualité mythique dans Le Corps lesbien de Monique Wittig.
Dans Le Corps lesbien, Monique Wittig tente de degager le personnage de la lesbienne de la penombre textuelle dans laquelle il est progressivement entre apres les vers de Sappho, c'est-a-dire au fur et a mesure que se consolide, en Grece, la culture des envahisseurs patriarcaux (les Acheens et les …
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Feminist critique and the Pueblos as textual : an architectural translation of Monique Wittig
… and experiment (the fictional writing of Wittig) - themes, elements, and attitudes which can have spatial, perceptual, and, thus, architectural significance. A portion of the thesis rests on what I have construed to be some aspects of feminisms' affinity with the complex structuring and …
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New Orientations: Touch in Women's Experimental Writing
… of Audre Lorde, Anaïs Nin, Marguerite Duras, Monique Wittig, and Kathy Acker, arguing that experimental writing facilitates an affective language of touch and sensation that resists and moves beyond societally gendered, racialised, and compulsory heterosexualised constructs of tactile …
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The problem of the poetic revolutionary
… is allied to a subversive politics: Jean Genet, Monique Wittig, Angela Carter, Kathy Acker, Kathleen Mary Fallon, Kim Scott and Brian Castro. Drawing on theories of intertextuality, parody, representation, and performance from theorists such as Mikhaïl Bakhtin, Julia Kristeva, Gérard Genette, …
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The feminist postmodern fantastic: sexed, gendered, and sexual identities
… identity. The selected authors Hélène Cixous, Monique Wittig, Jeanette Winterson, and Angela Carter represent distinct and diverse, culturally specific, literary and feminist traditions, reformulating the relationship between modernism and postmodernism in different ways and with varying …
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Voices from the outside: Homeric exiles in twentieth-century French writing
… the role of the other. Chapter Five brings us to Monique Wittig, one of the most influential voices in the feminist movement in France. Her Homeric reworking of the Iliad, Les Guérillères, is in marked contrast to that of Weil and Bespaloff. Wittig wears her gender very much on her sleeve: this is …