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Showing 1 to 6 of 6 for “"Mixed Choir"”.
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A survey of a cappella sacred music for mixed choir of Josef Rheinberger
… sacred music that Rheinberger composed for mixed choir did not gain much attention--most of his works did not fit the liturgical requirement of the Roman Catholic Church and were heavily criticized by the Cecilians. The analyses in this thesis unveil the aesthetic nature of Rheinberger’s a …
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LA FIESTA DEL ESPIRITU SANTO: AN ORIGINAL WORK FOR CHOIR, SOLOISTS, AND SMALL ENSEMBLE INFLUENCED BY THE SANTERIA MUSIC OF THE AFRICAN-DOMINICAN COMMUNITY IN THE DOMINICAN REPUBLIC
… and use it to create a new contemporary work for mixed choir and small ensemble.</p> <p>One of the most influential musical groups for this thesis was La Cofradía de los Congos del Espíritu Santo de Villa Mella, because it follows the original practices and rituals, and it has a large presence on …
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A Conductor’s Analysis of Almeida Prado’s Passion of Our Lord Jesus Christ According to Saint Mark
… This passion setting, which comprises mixed choir, actors, organ, harpsichord and timpani, was composed in 1967. The setting of the passion story strictly follows the gospel account, and no other poetic text, reflective chorales or arias were added. Among other factors, this work is …
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Arvo Pärt’s manipulation of the tintinnabular style in three representative choral works: An den Wassern zu Babel saẞen wir und weinten (1976), And One of the Pharisees (1992), and Adam’s Lament (2009)
… zu Babel saßen wir und weinten for voices or mixed choir (Psalm 137) for SATB and organ, And One of the Pharisees… (1992) for 3 voices or 3-part choir (Ct/ATB) a cappella, and Adam’s Lament (2009) for SATB choir and string orchestra. While all these choral works employ the tintinnabular style …
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Swagger, gentlemanliness, and brotherhood : explorations of lived experiences in a high school men's chorus
… their experiences and behavior in a high school mixed chorus? (c) How are their experiences and behavior while participating in a high school men's chorus different or similar from other nonmusical, all-male activities, such as sports? (d) What bearing, if any, does participation in a men's …
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Hugo Distler’s Mörike-Chorliederbuch: A pedagogical resource for conductors
Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2025-03-28 without embargo terms