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Showing 1 to 8 of 8 for “"Michael Field"”.

  1. Interpreting Female-Female Love in the Early Poetry of Michael Field

    Thesis abstract Michael Field was the pen-name of Katharine Bradley and Edith Cooper, an aunt and niece who wrote closet drama and lyric poetry from the 1880s through to the 1910s. The two women also conducted an intense love relationship, which caught the interest of feminist scholars from the …

    whiterose Repository record for Interpreting Female-Female Love in the Early Poetry of Michael Field (opens in a new tab)

  2. Greek antiquity, women’s modernity: hellenism in the work of Michael Field, Amy Levy and Virginia Woolf [Antichità greca, modernità delle donne: l’ellenismo nelle opere di Michael Field, Amy Levy e Virginia Woolf]

    … dell’identità nelle opere di tre autrici: Michael Field (pseudonimo di Katharine Bradley ed Edith Cooper), Amy Levy e Virginia Woolf. Inserite nel tardo vittorianesimo e in dialogo con i primi orizzonti modernisti, queste autrici condividono un confronto con l’antico e le identità queer …

    catania Repository record for Greek antiquity, women’s modernity: hellenism in the work of Michael Field, Amy Levy and Virginia Woolf [Antichità greca, modernità delle donne: l’ellenismo nelle opere di Michael Field, Amy Levy e Virginia Woolf] (opens in a new tab)

  3. Heroines, Anti-Heroines and New Women: The Early Drama of Michael Field, 1884-1895

    … under the collaborative literary pseudonym “Michael Field” for nearly forty years from the late 1800s to their deaths. These are: Callirrhoë (1884), Fair Rosamund (1884), The Tragic Mary (1890), Stephania (1892), and Attila, My Attila! (1895). Although more recently Michael Field’s poetry has …

    westminster Repository record for Heroines, Anti-Heroines and New Women: The Early Drama of Michael Field, 1884-1895 (opens in a new tab)

  4. Reanimating the Renaissance: Aesthetes and Art History, 1873-1914

    … in the life and work of figures including Michael Field, Olive Custance, Alexander Sacharoff, and J. A. Symonds. At the same time, the thesis shows how the desire for, and fear of, an animated renaissance was situated within contemporary concerns over heredity, degeneration, and atavism.

    cambridge Repository record for Reanimating the Renaissance: Aesthetes and Art History, 1873-1914 (opens in a new tab)

  5. Water and Nutrient Recycling in High Rate Algae Ponds Fed in Primary Treated Municipal Wastewater

    … the ramped standpipe ponds. In addition to these field experiments, laboratory aerobic degradation experiments were conducted to determine the nutrient release of previously digested sludge in aerobic ponds. Pretreatment of algae sludge did not have a significant effect on nutrient release of …

    calpoly Repository record for Water and Nutrient Recycling in High Rate Algae Ponds Fed in Primary Treated Municipal Wastewater (opens in a new tab)

  6. The Modernist Imagetext: Embodying Impersonality From Optics to Aesthetics

    … how the visual languages of Walter Pater, Michael Field, H.D., D. H. Lawrence, and Mina Loy work to capture the opaque impersonality of the subject---to represent impersonality as the very condition of personality---without indulging in an Eliotic dream of escape from the body, the ego, or …

    uiuc Repository record for The Modernist Imagetext: Embodying Impersonality From Optics to Aesthetics (opens in a new tab)