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Showing 1 to 1 of 1 for “"Micaëla"”.
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Preparing for Operatic Roles by Combining Elements of Stanislavsky’s System with Alfreds’ Actioning
… Phantom of the Opera) in two productions, and Micaëla (Carmen) with particular focus on her aria "Je dis que rien ne m’épouvante" for the Final DMA Recital. Chapter One introduces the focus of the thesis and an overview of the research. Chapter Two covers the relevant literature and justifies …