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Showing 1 to 12 of 12 for “"Melville, Herman, 1819-1891"”.

  1. “I must turn idolator”: religious inversion and the quest for genuine faith in Moby-Dick

    … in isolation, my thesis will demonstrate how Melville takes these Christian doctrines and inverts them in order to display a shift from traditional religious practice to a genuine faith for those outside of God's covenant people. Using Father Mapple's sermon on Jonah as a paradigm through …

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  2. "Neither Believer nor Infidel" Dialogic Portraits of Agnostic and Pragmatic Methodologies in Moby-Dick and Clarel

    Much scholarship is dedicated to Melville’s religious themes, and other scholarship carefully analyzes the innovative formal techniques used by Melville, such as biblical allusion, digressive essays, and philosophical musings imbedded in fiction. However, religious analysis often turns to …

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  3. Melville's England

    Scholarship on Herman Melville has a tendency to treat the sea as a destination in itself, but in one of Redburn's autobiographical moments the narrator confesses that initially his "thoughts of the sea were connected with the land; but with fine old lands, full of mossy cathedrals and churches, …

    columbia-diss Repository record for Melville's England (opens in a new tab)

  4. Point of View as Key to the Narrative Structure, Symbolism, and Theme of Moby Dick

    This paper has attempted to prove that a close study of point of view in Moby-Dick is useful as a key to narrative structure, symbolism, and thematic intention.

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  5. Mystical anxiety: American philosophy between Emerson and pragmatism

    … relentless criticism of existence pioneered by Herman Melville and Emily Dickinson, a way of thinking that I claim, more than Emerson’s, nurtures the ameliorative impulse of pragmatism. To that end, I challenge the continuity of the Emerson-to-pragmatism story by showing how the critical …

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  6. Teaching of the Fiction and Film Unit in the High School with Melville’s “Bartleby the Scrivener” and Bluestone’s Bartleby as Models

    Because literature teachers have little understanding of the art of film, they often consider the film to be a frill rather than an aid to learning. The author contends in this study that literature teachers must be convinced that the motion picture is an art, and that the motion picture teaches …

    central-wash Repository record for Teaching of the Fiction and Film Unit in the High School with Melville’s “Bartleby the Scrivener” and Bluestone’s Bartleby as Models (opens in a new tab)

  7. Beloved Savages and Other Outsiders: Genre and Gender Transgressions in the Travel Writings of Herman Melville, Bayard Taylor, and Charles Warren Stoddard

    … of three nineteenth-century American authors, Herman Melville, Bayard Taylor, and Charles Warren Stoddard. I argue that these writers evinced a rebellion encompassing literary as well as political and social subversion. In order to succeed in their rebellion, they relied upon genre …

    unm Repository record for Beloved Savages and Other Outsiders: Genre and Gender Transgressions in the Travel Writings of Herman Melville, Bayard Taylor, and Charles Warren Stoddard (opens in a new tab)