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Showing 1 to 1 of 1 for “"Mel Brooks"”.
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Mike Nichols. Elaine May, Mel Brooks, and Woody Allen's "New Cabaret": underground Jewish humor and the evolution of the new Hollywood aesthetic
… (1967), Elaine May’s The Heartbreak Kid (1972), Mel Brooks’s The Producers (1968), and Woody Allen’s Annie Hall (1977). It was not simply that cultural and aesthetic innovation “articulated a strong opposition to the prevailing rules, morality, and aesthetic standards of the time” (Sobral 3), or …