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Showing 1 to 6 of 6 for “"Meillassoux"”.

  1. Das Prinzip vom Grund bei Kant und Meillassoux. Über Anfangs- und Ungründe des post-metaphysischen Denkens

    The Principle of Sufficient Reason in Kant and Meillassoux: On the Reason and Unreason of Post-metaphysical Thought. The aim of this thesis is to probe the alleged grounds of post-metaphysical thought in order to unearth its foundations. This genetic-systematic inquiry thus not only aims to …

    charles-prague Repository record for Das Prinzip vom Grund bei Kant und Meillassoux. Über Anfangs- und Ungründe des post-metaphysischen Denkens (opens in a new tab)

  2. Embracing the Wound of Contingency: Transcribing Reality in Supernatural Horror and Found Footage

    … way for an absolute originary reason, Quentin Meillassoux argues for the “non-facticity of facticity” to implicate an absolute contingency or unreason structuring reality: in effect, anything could happen for no reason at all. Meillassoux suggests the trauma of the contingent event and the …

    chapman Repository record for Embracing the Wound of Contingency: Transcribing Reality in Supernatural Horror and Found Footage (opens in a new tab)

  3. Post-War African Studies, Underdevelopment, and the French and British New Lefts, 1953-1993

    … associated with the French New Left, like Claude Meillassoux and Étienne Balibar, drew on the work of the South African Marxists and other Africanists to challenge the notion that contemporary capitalist societies were witnessing the disappearance of class. Chapter 3 shows how Stuart Hall’s …

    cambridge Repository record for Post-War African Studies, Underdevelopment, and the French and British New Lefts, 1953-1993 (opens in a new tab)

  4. CATCH | BOUNCE: Towards a relational ontology of the digital in art practice

    … ontologies – in particular the work of Quentin Meillassoux and Tristan Garcia (After Finitude; Form and Object). Where these contemporary continental philosophies provide a means of releasing events from the contingency of human ‘reason’, the thesis argues for a practice of ‘un-reason’ in which …

    plymouth Repository record for CATCH | BOUNCE: Towards a relational ontology of the digital in art practice (opens in a new tab)

  5. Beyond the Clock: The Aesthetics of Time in Contemporary Art

    … ‘speculative realism’ of the philosopher Quentin Meillassoux. In this respect, this study sets out to describe how art actually contributes to time: the multiple durations of contemporary practices are shown to sustain time as a dynamic force of creativity and becoming, in the face of its …

    auckland-ms Repository record for Beyond the Clock: The Aesthetics of Time in Contemporary Art (opens in a new tab)

  6. Portfolio of compositions with commentaries 2012-2015

    This writing forms part of a portfolio of works which gathers together notations and recordings made between 2012 and 2015. The writing divides into four chapters. The first chapter undertakes an examination of abstraction. From the proposition obtained therein, that it is possible to extend within …

    cork Repository record for Portfolio of compositions with commentaries 2012-2015 (opens in a new tab)