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Showing 1 to 10 of 10 for “"Magnificat"”.

  1. The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary

    … seventy years. This study focuses on his extant Magnificat settings, and provides modern performer’s editions of all twelve settings, including alternate versions and revisions. While Perti’s music is firmly rooted in the contrapuntal tradition, the stylistic changes in his music over the course …

    uiuc Repository record for The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary (opens in a new tab)

  2. A conductor’s guide to the Magnificat in C, TWV 9:17 by Georg Philipp Telemann

    … study is to investigate Georg Philipp Telemann’s Magnificat in C (TWV 9:17) and to create a guide for performance of the composition. The liner notes for the recording from 1964, acknowledge that “The Latin Magnificat in C is the more extended and elaborately scored of Telemann’s settings,” yet …

    uiuc Repository record for A conductor’s guide to the Magnificat in C, TWV 9:17 by Georg Philipp Telemann (opens in a new tab)

  3. Cantus Firmus Procedures in the Eton Choirbook

    … regina}$ settings and in the $\textit{Magnificat}$ settings. The study has been enriched by the discovery of the identity of four cantus firmi in compositions by Banester, Davy, Wylkynson and Browne. In addition, a new source for coumerpoints to the $\textit{Magnifical}$ tones has been …

    cambridge Repository record for Cantus Firmus Procedures in the Eton Choirbook (opens in a new tab)

  4. Cantus Firmus Procedures in the Eton Choirbook

    … regina}$ settings and in the $\textit{Magnificat}$ settings. The study has been enriched by the discovery of the identity of four cantus firmi in compositions by Banester, Davy, Wylkynson and Browne. In addition, a new source for coumerpoints to the $\textit{Magnifical}$ tones has been …

    cambridge Repository record for Cantus Firmus Procedures in the Eton Choirbook (opens in a new tab)

  5. A conductor's guide to three sacred choral/orchestral works by Antonio Caldara: "Magnificat in C", "(1724)Te Deum" and "Dies irae".

    … chapter presents a comparison of Caldara's Magnificat to Magnificats of his contemporaries. The greater part of this chapter is devoted to a compositional analysis of the three selected works as well as of score discrepancies found between available published editions and Caldara's original …

    oklahoma-thes Repository record for A conductor's guide to three sacred choral/orchestral works by Antonio Caldara: "Magnificat in C", "(1724)Te Deum" and "Dies irae". (opens in a new tab)

  6. The Eighteenth-Century Italian Magnificat: A Survey of Representative Settings (Ca. 1700 - Ca. 1750) With an Analysis and Edition of Six Works

    Made available in DSpace on 2014-12-11T17:21:10Z (GMT). No. of bitstreams: 1 7212092.pdf: 21688602 bytes, checksum: a692c86ce6bc10eccedaef118228235f (MD5) Previous issue date: 1971

    uiuc Repository record for The Eighteenth-Century Italian Magnificat: A Survey of Representative Settings (Ca. 1700 - Ca. 1750) With an Analysis and Edition of Six Works (opens in a new tab)

  7. Thymiaterium Musicale (1625) by Andreas Rauch

    … uns der Morgenstern, a macaronic setting of the Magnificat and a setting of the penitential psalm, Miserere mei Deus. The first is a hymn-based motet, in which Rauch provides contrasting settings of all seven verses of Nicolai's well-known Epiphany hymn. The bitextuality of the Magnificat

    uiuc Repository record for Thymiaterium Musicale (1625) by Andreas Rauch (opens in a new tab)

  8. A Choreographic Exploration of Judeo-Christian Themes

    … as the human body as an image of God. Bach’s “Magnificat in D Major” was chosen as the musical score for its central importance in portraying Judeo-Christian spirituality. The score was performed in the original German and Latin languages, to allow the music itself to inform the choreography. …

    brockport Repository record for A Choreographic Exploration of Judeo-Christian Themes (opens in a new tab)

  9. The style of meditation: a conductor's analysis of selected motets by Rihards Dubra

    … (with ST soli) Veni Creator Spiritus (1998) SATB Magnificat (2000) SSATB The research is divided into three chapters. The first chapter is entitled, "The Influence of Tradition," and will briefly explore the influences on Dubra's style including Latvian folk music, early music, and the music of …

    lsu-thes Repository record for The style of meditation: a conductor's analysis of selected motets by Rihards Dubra (opens in a new tab)