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Showing 1 to 8 of 8 for “"Live sound"”.

  1. Why Didn't They Get It? An Investigation into the Pedagogic Practices of a Vocational Curriculum

    … study interrogates the pedagogic practices in a Live Sound, vocational course offered by Cape Audio College, a private provider of higher education in South Africa. Students are immersed in an authentic learning experience and the curriculum is centred around an assessment where students stage a …

    cape-town Repository record for Why Didn't They Get It? An Investigation into the Pedagogic Practices of a Vocational Curriculum (opens in a new tab)

  2. The Elephant in the Baithak: Tabla and Audio Technological Discourse

    … (2012) concept of “recording culture” to “live sound culture,” or the behaviors, power struggles, and labor surrounding <em>tabla</em> mic’ing and amplification. I argue that audio technology separates the artist’s sound into several domains of control (stage, hall, recording, playback), …

    denver Repository record for The Elephant in the Baithak: Tabla and Audio Technological Discourse (opens in a new tab)

  3. Jonathan Harvey's string quartets

    … and granulation) signifying the ambiguity of the live sound source. The final chapter investigates Harvey’s ideas of spirituality. Some analytical findings are shown to have direct parallels with tenets of Buddhism.

    uiuc Repository record for Jonathan Harvey's string quartets (opens in a new tab)

  4. Human Movement Sonification for Motor Skill Learning

    Transforming human movement into live sound can be used as a method to enhance motor skill learning via the provision of augmented perceptual feedback. A small but growing number of studies hint at the substantial efficacy of this approach, termed 'movement sonification'. However there has been …

    qu-belfast Repository record for Human Movement Sonification for Motor Skill Learning (opens in a new tab)

  5. Modelling the perception of percussive low frequency instruments in rooms

    … to other cases, such as that found in live sound reinforcement.Hence, this work is focused on broadening the understanding of low frequencyquality due to modal behaviour in rooms, through extending the scope of research toinclude larger listening environments and single instrument …

    salford Repository record for Modelling the perception of percussive low frequency instruments in rooms (opens in a new tab)

  6. Associating places: strategies for live, site specific, sound art performance

    … many different disciplines in art, music, sound studies and performance. The methodology, contextually indebted to the dialogues of site specific art, performance, and sound improvisation, has emerged as a multi-disciplinary one, informed in part by the study of those artists from the 1960s …

    middlesex Repository record for Associating places: strategies for live, site specific, sound art performance (opens in a new tab)

  7. Associating Places: Strategies for Live, Site Specific, Sound Art Performance

    … many different disciplines in art, music, sound studies and performance. The methodology, contextually indebted to the dialogues of site specific art, performance, and sound improvisation, has emerged as a multi-disciplinary one, informed in part by the study of those artists from the 1960s …

    arts-london Repository record for Associating Places: Strategies for Live, Site Specific, Sound Art Performance (opens in a new tab)

  8. A new narrative frame: sound design and conceptual storytelling in German film 1930-1933.

    … as well as global political and economic forces, sound film became rapidly established as an innovative element in German cinema. With the arrival of technology enabling the production of synchronous sound for cinema film, the era of live sound accompaniment in cinemas drew to a close. This thesis …

    bournemouth Repository record for A new narrative frame: sound design and conceptual storytelling in German film 1930-1933. (opens in a new tab)