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Showing 1 to 3 of 3 for “"Leo Brouwer"”.

  1. Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer

    … to discover what makes the guitar music of Leo Brouwer and Toru Takemitsu so conducive to aesthetic investigation, from the viewpoint of both a listener and performer of their works. The research approach is that of viewing their music through a philosophical lens provided by the notions and …

    cape-town Repository record for Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer (opens in a new tab)

  2. Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study.

    … wide-ranging issues central to the Cuban artist, Leo Brouwer (b. 1939). Although considered by some scholars as perhaps the most significant living composer for the guitar in the twentieth century, Brouwer has not achieved the wide acclaim he deserves. This stems mainly from the North American …

    cape-town Repository record for Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study. (opens in a new tab)

  3. An Analysis of Phrase Structures in the First Movement of Leo Brouwer’s Elogio De La Danza (1964)

    … formal structures in the first movement of Leo Brouwer’s Elegio de la Danza (1964), a work that draws on tonal and post-tonal traditions. By adapting key features of the tonal motive, as described by Douglass Green, and the tonal period, as proposed by Green and William Caplin, the model …

    ottawa-retro Repository record for An Analysis of Phrase Structures in the First Movement of Leo Brouwer’s Elogio De La Danza (1964) (opens in a new tab)