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Showing 1 to 3 of 3 for “"Knight of the Burning Pestle"”.

  1. Stages of Belief: The Nature of Audience Response in Medieval and Early Modern Drama

    Medieval theatrical audiences expected that dramatic performances would have some element of truth: they believed that what they saw performed was in some sense factual, and this belief was due in large part to their participation in the dramatic spectacle. By the end of the sixteenth century, …

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  2. Metatheatricality on the Renaissance Stage, the Audience and the Material Space

    My dissertation examines how early modern metatheater enabled the Renaissance stage and its original audience to develop a complex and symbiotic relationship. Metatheater--by which I mean a particular mode of theatre, in which actors, playwrights, dramatic characters and/or (in particular) …

    temple Repository record for Metatheatricality on the Renaissance Stage, the Audience and the Material Space (opens in a new tab)