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Showing 1 to 6 of 6 for “"Künstlerroman"”.
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"We Are the Thing Itself": Embodiment in the Künstlerromane of Bennett, Joyce, and Woolf
… a study of the relationship between the modern Künstlerromane of Arnold Bennett, James Joyce, and Virginia Woolf and issues of embodiment. Born of the field of aesthetics, the literary genre of Künstlerroman inherits its conflicts. The chief dilemma of the form is how an isolated artistic …
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Transatlantic intimacies: The homoerotic affect worlds of nineteenth-century print culture
… transatlantically published American and British künstlerroman novels written by female authors. This alternative discourse was communicated affectively to initiated readers by way of metaphorical descriptions of painting, music, accompanying illustrations, and photography, and these novels all …
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Creator and Creation: Artistic Development in Herman Melville’s Pierre; or, the Ambiguities and James Joyce’s A Portrait of the Artist as a Young Man
… (1916), Herbert Marcuse’s “Der Deutsche Künstlerroman” (“The German Artist Novel”, 1922), and Maurice Beebe’s <em>Ivory Towers and Sacred Founts</em> (1964). The the specificities of the artistic nature development are analyzed according to each character and the importance of environment …
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“Such a sort of pariah”: Psychosocial Marginality and the Bildungsroman in Mazo de la Roche’s Whiteoaks
… progressive in the vein of the classic, male Künstlerroman. In order to accommodate this duality of publicly typical and privately subversive otherness, Finch must navigate the diegetic realm’s social boundaries and liminal spaces through a series of “double lives,” in which the other is …
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Scribbling Girls, Becoming Writers: A Speculative Mapping of Girl Writer Characters in Classic and Contemporary Adolescent Fiction
… the structures of the *Bildungsroman* and the *Künstlerroman*, my project identifies the process-oriented, embodied, and nomadic nature of writing as an act that brings about the writer’s “becoming.” By drawing on Deleuze- Guattarian concepts of art, literature, and nomadism, and by considering …
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Burning flames and seething brains: Passion, imagination, and madness in Karamzin, Pushkin, and Gogol
… their mad protagonists and the influence of the Künstlerroman: “Nevskii Prospect,” “The Portrait,” and “Diary of a Madman.” I suggest that Piskarev’s story in “Nevskii Prospect” functions as a parody of Karamzin’s fiction, with which it shares a narratorial mode (Dorrit Cohn’s “consonant thought …