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Showing 1 to 7 of 7 for “"Joyce Carol Oates"”.
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The Imprisoned Imagination: The Family in The Fiction of Joyce Carol Oates, 1960-1970
Made available in DSpace on 2014-12-10T19:35:45Z (GMT). No. of bitstreams: 1 7414621.pdf: 8790759 bytes, checksum: 1bf88fffaf09d7abdb786976302cb50b (MD5) Previous issue date: 1974
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The Grotesque in Some American Novels of The Nineteen-Sixties: Ken Kesey, Joyce Carol Oates, Sylvia Plath
Made available in DSpace on 2014-12-10T19:35:42Z (GMT). No. of bitstreams: 1 7412240.pdf: 13842209 bytes, checksum: def327ee41862382b3e28fb6405a91b7 (MD5) Previous issue date: 1973
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Violence : An Attempt at Control
<p>At age 15, Joyce Carol Oates received her first rejection by a New York publisher who said that her work was just too depressing for other children. Undaunted, Oates continued to write and entered a program of literature at Syracuse University. After graduating as valedictorian of her …
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Open destinies : modern American women and the short story cycle
… of the form. Chapter Three considers how Joyce Carol Oates uses the sequential cycle to represent gender identity as a social construct. Chapters Four and Five examine the macrocosmic cycles of Gloria Naylor and Louise Erdrich and consider changes in their form and gender politics. The …
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Apocalypse and elegy in contemporary american fiction
… I have selected the millennial novels of Joyce Carol Oates (Blonde), Don DeLillo (Underworld), and Philip Roth (American Pastoral), since all three, written at the century's end, are at once apocalyptic and elegiac in tone, and comprise a useful trilogy tor giving voice to the …
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Women Writing Trauma: How Female Writers Use Narrative Voice in Fiction to Represent the Effects of Trauma
… (1984), the novella Rape: A Love Story (2003) by Joyce Carol Oates, and short story ‘Lust’ by Susan Minot, published in Minot’s short stories collection Lust and Other Stories (1989). Following the exploring of texts, I demonstrate my use of second person. The conclusion reflection on my creative …
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The love dialectic
… artists, Katherine Anne Porter, Doris Lessing, Joyce Carol Oates, and Christina Stead representing three countries and, the two Americans, different regions, each is master of a distinct style. Moreover, I have been selective in dealing with the canons. There is no attempt to achieve an …