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Showing 1 to 9 of 9 for “"John Berger"”.

  1. Géneros imaginarios. Diseño de retratos fotográficos, a través de mediadores tecno-ópticos, para la configuración subjetiva del propio imaginario de género

    … se constituyó por los aportes realizados por John Berger, Jean-Louis Deotte, Jaques Lacan desde la teoría de medios y Barthes como problematizador de las relaciones en el retrato y la fotografía. Se realizaron entrevistas a especialistas del área, pruebas de materialidad para la selección de …

    chile Repository record for Géneros imaginarios. Diseño de retratos fotográficos, a través de mediadores tecno-ópticos, para la configuración subjetiva del propio imaginario de género (opens in a new tab)

  2. The drawing of bodies and things - Embodiment, observation, and representation

    … drawing as described by Deanne Petherbridge and John Berger; phenomenological concepts of self, perception, embodiment, and being as described by Maurice Merleau-Ponty and expanded upon by David Michael Levin; and recent neuroscientific understandings and neurophilosophical concepts of the …

    unsw Repository record for The drawing of bodies and things - Embodiment, observation, and representation (opens in a new tab)

  3. Virtual Nature: A practice-led enquiry into the relationship between painting and vernacular photography through the process of the painted monotype

    … of Elizabeth Wynne Easton, Aaron Scharf, John Berger and Russell Ferguson; while Anne Friedberg, Rob Shields, Nicholas Mirzoeff, Geoffrey Batchen, Kris Paulsen and Johanna Love have been instrumental in determining a connection to the virtual and the index in my research.

    aus-cath Repository record for Virtual Nature: A practice-led enquiry into the relationship between painting and vernacular photography through the process of the painted monotype (opens in a new tab)

  4. Virtual Nature: A practice-led enquiry into the relationship between painting and vernacular photography through the process of the painted monotype

    … of Elizabeth Wynne Easton, Aaron Scharf, John Berger and Russell Ferguson; while Anne Friedberg, Rob Shields, Nicholas Mirzoeff, Geoffrey Batchen, Kris Paulsen and Johanna Love have been instrumental in determining a connection to the virtual and the index in my research.

    anu Repository record for Virtual Nature: A practice-led enquiry into the relationship between painting and vernacular photography through the process of the painted monotype (opens in a new tab)

  5. Towards a Peripatetic Practice: negotiating journey through painting

    … and empathy, the study draws on the writing of John Berger and Suzi Gablik, exploring a confluence of ideas about the evolving social role of the artist. Key influences are historic and contemporary peripatetic creative practices, which include the writer Freya Stark, the colonial painter …

    aus-cath Repository record for Towards a Peripatetic Practice: negotiating journey through painting (opens in a new tab)

  6. Towards a Peripatetic Practice: negotiating journey through painting

    … and empathy, the study draws on the writing of John Berger and Suzi Gablik, exploring a confluence of ideas about the evolving social role of the artist. Key influences are historic and contemporary peripatetic creative practices, which include the writer Freya Stark, the colonial painter …

    anu Repository record for Towards a Peripatetic Practice: negotiating journey through painting (opens in a new tab)

  7. Peter Fuller, Modern Painters and the Sensation exhibition

    … criticism, and to his contemporaries including John Berger. A particular focus is on Fuller’s attitudes towards history and tradition. I then assess the extent to which the magazine’s content evidences and confirms Fuller’s position as expressed through his own writing on criticism. On Fuller’s …

    plymouth Repository record for Peter Fuller, Modern Painters and the Sensation exhibition (opens in a new tab)

  8. A gaze of one's own : feminist film theory, with application to Klute

    … of" criticism of Rosen and Haskell to Claire Johnston's and Laura Mulvey's seminal work on women and representation. Chapter 2 focuses on some of the theoretical considerations of the image and the gaze, extends these into the theory of cinema as an apparatus, and outlines feminist critiques …

    cape-town Repository record for A gaze of one's own : feminist film theory, with application to Klute (opens in a new tab)

  9. How do I look? Viewing, embodiment, performance, showgirls, and art practice.

    … powerfully shaped by the significant works of John Berger and Laura Mulvey, has reduced the complexity in how the showgirl is seen. While the discursive contexts in which Mulvey and Berger wrote allowed for reflexive accounts of the gaze, their ideas have circulated so widely and forcefully as …

    sheffield-hallam Repository record for How do I look? Viewing, embodiment, performance, showgirls, and art practice. (opens in a new tab)