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Showing 1 to 4 of 4 for “"Jean-Philippe Rameau"”.
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Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau
… and ornamentation in the context of Jean-Philippe Rameau’s tragédies en musique—Hippolyte et Aricie (1733), Castor et Pollux (1737), Dardanus (1739), Zoroastre (1749), and Les Boréades (1763). Rameau’s tragédies en musique prominently feature the orchestra, and the variety of …
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Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin
… pianists, that of their French contemporary Jean-Philippe Rameau is rarely heard today. I believe that upon properly understanding the performance practices of Rameau’s day, as well as piano and harpsichord playing, some of his harpsichord works successfully can be adapted for the piano. My …
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Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music
… to model some aspects of the harmonic theory of Jean-Philippe Rameau. Chapter Three considers the ways in which neo-Riemannian transformations, as ways of relating triads and seventh chords to one another, might be associated with changes of harmonic function in different Tonnetz spaces, and …
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Musical knowledge, material practices and the body politic in eighteenth-century France
… half of the century, to the appropriation of Rameau’s system of harmony as the summit of French genius and national character in mid-century. It also moves from the negotiation and dissemination of ideas of music through corporeal and material practices, to the uses of harmony as a model for …