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Showing 1 to 15 of 15 for “"J.S. Bach"”.

  1. The musical setting of text in Cantata no. 140 by J.S. Bach.

    Massachusetts Institute of Technology. Dept. of Humanities. Thesis. 1971. B.S.

    mit Repository record for The musical setting of text in Cantata no. 140 by J.S. Bach. (opens in a new tab)

  2. The Music of J.S. Bach and the Art of Transcription - Selected Bach Transcriptions by Pianist-Composers

    … of the music of Johann Sebastian Bach. The purpose of the study is to explore many different examples of this genre, to re-evaluate their significance in the Classical piano repertoire, and to further validate them as one of the main works to be considered in performance settings. …

    maryland Repository record for The Music of J.S. Bach and the Art of Transcription - Selected Bach Transcriptions by Pianist-Composers (opens in a new tab)

  3. Figures of <i>Musica Poetica</i> in the <i>Passacaglias</i> of Dieterich Buxtehude and J.S Bach

    … Passacaglias of Dieterich Buxtehude and J. S. Bach. An understanding of the figures of <i>Musica Poetica</i> and affections will help illustrate similarities and differences between these pieces within their musical styles. The overall goal of this undertaking is to provide greater resources …

    ohiolink Repository record for Figures of <i>Musica Poetica</i> in the <i>Passacaglias</i> of Dieterich Buxtehude and J.S Bach (opens in a new tab)

  4. The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers

    … between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the …

    cape-town Repository record for The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers (opens in a new tab)

  5. A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe

    … pieces written by the German composer J. S. Bach (1685-1750) and the Belgian composer Eugene Ysaÿe (1858-1931). I have also chosen to study works by Heinrich Biber (1644-1704) and Bright Sheng (b. 1955) as Biber exemplifies a predecessor of J. S. Bach's and Sheng serves as one of Eugene …

    maryland Repository record for A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe (opens in a new tab)

  6. Graduate Recital, Voice

    … indulges in are none other than G.F. Handel, J.S Bach, Maurice Ravel, Gaetano Donizetti, Vincenzo Bellini, Johannes Brahms, Franz Schubert, John Dowland as well as Stephen Sondheim. By focusing on Major languages and changing stylistic periods this recital fulfills the requirements of the Graduate …

    duquesne Repository record for Graduate Recital, Voice (opens in a new tab)

  7. The Shape of Music. Computational Specification of Hand Gestures in Piano Playing.

    … of Prelude in C Minor, BWV.999 by J.S. Bach. Experts evaluated the performances from audio and video. From their comments, I extracted qualities of technique and expression essential in piano playing. Then, I determined features to measure these qualities in the motion and MIDI data. I …

    mit Repository record for The Shape of Music. Computational Specification of Hand Gestures in Piano Playing. (opens in a new tab)

  8. Structured polyphonic patterns

    … four corpora: 185 chorale harmonizations by J.S. Bach, Mozart Symphony no. 40, a small set of piano pieces by Chopin, and a collection of folk songs containing more than 8000 pieces – in addition to its size, demonstrating the scalability of the method, that latter corpus is interesting as it …

    city-london Repository record for Structured polyphonic patterns (opens in a new tab)

  9. Bach-Busoni Preludi ja fuuga BWV 552 : Alkuperäisen sävellyksen, transkription ja esityksen suhteesta autenttisuuteen

    … esityksen autenttisuus. Aihetta lähestytään J.S. Bachin alkuperäisen sävellyksen ja Ferruccio Busonin transkription kautta. Ferruccio Busoni (1866–1924) oli italialainen säveltäjä ja pianovirtuoosi. Busoni teki useita merkittäviä transkriptioita J.S. Bachin teoksista. Vuosina 1888–90 hän opetti …

    helsinki Repository record for Bach-Busoni Preludi ja fuuga BWV 552 : Alkuperäisen sävellyksen, transkription ja esityksen suhteesta autenttisuuteen (opens in a new tab)

  10. Graduate Recital, Violin

    Sonata in C Major for Violin </p><p> J.S. Bach </p><p> Bach began composing his six sonatas and partitas for solo violin while in Weimar, but completed the set during his time as Kapellmeister in Köthen. Although completed in 1720, during a time in which the solo violin repertoire was actively …

    duquesne Repository record for Graduate Recital, Violin (opens in a new tab)

  11. SYMPHONY NO. 2 “SYMPHONY OF CHORALES” BY LUKAS FOSS: A STUDY IN COLLAGE AND MUSICAL BORROWING

    … and the impact of collaged source material (Bach's chorale harmonizations) on the motivic and formal structure of the symphony will be discussed.

    ecu Repository record for SYMPHONY NO. 2 “SYMPHONY OF CHORALES” BY LUKAS FOSS: A STUDY IN COLLAGE AND MUSICAL BORROWING (opens in a new tab)

  12. Sistemas de predicción de parámetros que caracterizan el campo sonoro en iglesias

    … sacra, siendo un caso excepcional el de J.S. Bach, tanto por la cantidad y por la calidad de su obra, del que se dice que escribía las partituras pensando en la iglesia donde iban a ser escuchadas, ajustándose a las características acústicas de estos recintos. Su importancia musical es tan …

    upm Repository record for Sistemas de predicción de parámetros que caracterizan el campo sonoro en iglesias (opens in a new tab)