Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 5 of 5 for “"Italian music"”.
-
Rebuilding a Culture: Studies in Italian Music after Fascism, 1943-1953
The devastation enacted on the Italian nation by Mussolini’s ventennio and the Second World War had cultural as well as political effects. Combined with the fading careers of the leading generazione dell’ottanta composers (Alfredo Casella, Gian Francesco Malipiero and Ildebrando Pizzetti), it led …
-
Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930)
<p>Italian music of the early 20th century was dominated by opera. However, many composers, including Gian Francesco Malipiero, Ildebrando Pizzetti, Renato Brogi, Francesco Paolo Tosti, Giacomo Orefice, Ottorino Respighi, Alfredo Casella, Mario Castelnuovo-Tedesco, Franco Casavola, and Salvatore …
-
Eloquence and Music: the Querelle des Bouffons in Rhetorical Context
… as the fundamental tenets of both eloquence and music, to frame a wide-ranging debate that ultimately rethinks the two arts' roles. The supporters of Italian music (known as the coin de la reine) and the partisans of French music (known as the coin du roi) adhere to this common context, while …
-
František Jiránek and the Italian connection: A study of the influence of Antonio Vivaldi on the bassoon concertos of František Jiránek
… rapidly transformed not only Venetian and Italian music but influenced composers across the rest of Europe as well. The older generation of composers felt the need to integrate at least some of the features of the new and malleable Vivaldian ritornello model into their own works, and the …
-
"Trash Music": Valuing Nineteenth-century Italian Opera Fantasias for Woodwinds
… if not hallmarks, at least accepted realities of Italian opera composing. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. I approach opera fantasias, instrumental …