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Showing 1 to 8 of 8 for “"Irish theatre"”.

  1. The Irish theatre of today

    Thesis (M.A.)--Boston University

    bu Repository record for The Irish theatre of today (opens in a new tab)

  2. An exploration of the information literacy of Irish theatre actors.

    … aim of this research is to investigate the IL of Irish actors working in the theatre. The established rhetorical framework for examining working populations is Workplace Information Literacy (WIL). However, this study suggests that the terminology and consequent perspective of IL, rather than WIL, …

    rgu Repository record for An exploration of the information literacy of Irish theatre actors. (opens in a new tab)

  3. Replacing the Priest: Tradition, Politics, and Religion in Early Modern Irish Drama.

    … and Lady Augusta Gregory argued the need for an Irish theatre that was demonstrative of the Irish people, returning to the literary traditions to the Celtic heritage. What resulted was a questioning of religion and politics in Ireland, specifically the Catholic Church and its priests. Yeat's own …

    etsu Repository record for Replacing the Priest: Tradition, Politics, and Religion in Early Modern Irish Drama. (opens in a new tab)

  4. Staging Europe, Staging Ireland: Ibsen, Strindberg, and Chekhov in Irish Cultural Politics, 1899--1922

    By reconstructing and analyzing seminal Irish premieres and revivals of plays by Ibsen, Strindberg, and Chekhov at the Theatre of Ireland (1906--1912) and the Irish Theatre Company (1914--1920), this study reveals the critical role of Northern Europe in the search for wider, alternative models for …

    uiuc Repository record for Staging Europe, Staging Ireland: Ibsen, Strindberg, and Chekhov in Irish Cultural Politics, 1899--1922 (opens in a new tab)

  5. Motherhood, Female Ageing and Samuel Beckett

    … that age is a missing category of identity in Irish Studies. Chapter Three analyses female ageing on the page, while Chapter Four analyses female ageing on the stage. It also examines the impact of the #WTF movement, before considering the responses of several women directors and actors of …

    maynooth Repository record for Motherhood, Female Ageing and Samuel Beckett (opens in a new tab)

  6. “They shall be speaking forever” : performing revolution, riot, and the nation in the centenary commemorations of Ireland’s 1916 Rising

    Throughout 2016, Irish theatre-makers created scores of commemorative performances for the centenary of Ireland’s 1916 Rising. These performances, whether commissioned by or created in opposition to the government-funded national commemorative initiative Ireland 2016, transmitted and unsettled …

    tdl Repository record for “They shall be speaking forever” : performing revolution, riot, and the nation in the centenary commemorations of Ireland’s 1916 Rising (opens in a new tab)

  7. Matters of verisimilitude: transitional and transnational realisms in Ireland, 1880-1940

    Critics often narrate the Irish Literary Revival of the late nineteenth and early twentieth centuries as a rejection of literary realism, specifically its English incarnation. Critics such as David Lloyd and Terry Eagleton have argued that the conditions of colonial Ireland – social instability, …

    uiuc Repository record for Matters of verisimilitude: transitional and transnational realisms in Ireland, 1880-1940 (opens in a new tab)

  8. “We've All To Grow Old”: Representations of Agingas Reflections of Cultural Change on the Celtic Tiger Irish Stage

    This dissertation discusses the work of four Irish playwrights: Sebastian Barry, Marina Carr, Conor McPherson, and Elaine Murphy. Specifically, it investigates the inclusion, by these playwrights, of “elderly” characters in their plays written between 1995 and 2010—a period of …

    ohiolink Repository record for “We've All To Grow Old”: Representations of Agingas Reflections of Cultural Change on the Celtic Tiger Irish Stage (opens in a new tab)