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Showing 1 to 5 of 5 for “"Iranian cinema."”.

  1. The Other Self : representations of Afghans in Iranian cinema

    … examines the image of the “Afghan” in films by Iranian filmmakers produced primarily from the mid-1990s to the early 2000s. The films, most of which are about the Afghan refugee community in Iran, are studied in relation to the contemporaneous policies and rhetoric of the Islamic Republic …

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  2. Iranian Cinema in Transition: Relative Truth and Morality in Asghar Farhadi’s Films

    <p>In addition to box office success, Iranian filmmaker Asghar Farhadi’s films have achieved national and international critical acclaims. However, it is not only this rare achievement of critical and commercial success that sets Farhadi apart from other Iranian filmmakers, but also, his new …

    chapman Repository record for Iranian Cinema in Transition: Relative Truth and Morality in Asghar Farhadi’s Films (opens in a new tab)

  3. The Emergence and Development of Digital Film-Making in Iran

    Iranian digital film-making, which has emerged and developed since 2000 in the Iranian cinematic context, mainly follows a trend based on the nature of new media. However, this trend is subject to fluctuation because of specific aspects of Iranian cinema. In addition, due to the realistic cinematic …

    bradford Repository record for The Emergence and Development of Digital Film-Making in Iran (opens in a new tab)

  4. Analyzing the Depiction of Women in Iranian Post-Revolutionary Film Adaptations

    … the cross-cultural intricacies of adapting non-Iranian literary texts in post-revolutionary Iranian cinema, focusing on the shifting representations of female characters. Drawing on a tripartite critical approach encompassing feminist theory (Beauvoir, Butler), cultural discourse (Hall, …

    uwo Repository record for Analyzing the Depiction of Women in Iranian Post-Revolutionary Film Adaptations (opens in a new tab)

  5. The kid with a camera : Abbas Kiarostami's cinematic critique.

    … thesis is an exploration of the film works of Iranian film director Abbas Kiarostami. It argues that his films constitute a body of work that serves as a self-reflexive critique of cinema. Through both documentary and fiction film-making, Kiarostami complicates the clear divide between reality …

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